Artistic minimalism Quotes

One thing living in Japan did for me was to make me feel that what is left out of a work of art is as important as, if not more important than, what is put in.

You’re getting rid of the things that people used to think were essential to art. But that reduction is only incidental. I object to the whole reduction idea…if my work is reductionist it’s because it doesn’t have the elements that people thought should be there. But it has other elements I like.

When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed: 'Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background!'

Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.

Fans think they want to see more than the 10 to 20 seconds of Itchy and Scratchy that we put on the show, but my feeling is less is more. Once you've skinned and flayed a cat, ripped his head off, made him drink acid and tied his tongue to the moon, there really isn't that much to say.

Art, it seems to me, should simplify.

What's completely insane to me is that people would consider music that's simple to be dumbed-down. Couldn't simplicity be a deliberate, smart choice?

The best artists know what to leave out. They know how much of the support should show through as the pigment is applied, what details aren't necessary.

It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality whole, is what is interesting. The main things are alone and are more intense, clear and powerful.