Artistic Integration Quotes

I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.

Life is art. Art is life. I never separate it.

Art is an attempt to integrate evil.

For me, graffiti and the complexities with which it is either absorbed or expelled from what is going on, is a really good comparison to the way I see my work being similarly expelled or absorbed into different types of discourse.

Today the arts exist in isolation, from which they can be rescued only through the conscious, cooperative effort of all craftsmen. Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts.

I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.

Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko... all believed in the social role of art... Their works were like hinged doors, connecting activity with activity. Art with engineering; music with painting; poetry with design; fine art with propaganda; photographs with typography; diagrams with action; the studio with the street.

All the traumas I went through separating art from writing don't exist anymore. That's why I love being in rock 'n' roll. It's a whole life thing.

I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.

Opera should be a place for art forms to meet. I've worked a lot with Peter Gabriel; his music isn't operatic, but he creates big, popular gatherings to which architecture, dance, and music are all invited.

I never really separated painting and literature.

Life, religion and art all converge in Bali. They have no word in their language for 'artist' or 'art.' Everyone is an artist.

There's a very important aspect to all my work, now more than ever, which is tying the interior design and architecture with the art.

The different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.

It is perhaps the principal admirableness of the Gothic schools of architecture, that they receive the results of the labour of inferior minds; and out of fragments full of imperfectionraise up a stately and unaccusable whole.

In the summer there are twelve cottonwoods around the pool, which in the winter become an elevated thicket. There is also a courtyard with a small garden of plants that stay green all year. The winter is bleak. This place is primarily for the installation of art, necessarily for whatever architecture of my own that can be included in an existing situation, for work, and altogether for my idea of living.

The Bauhaus strives to bring together all creative effort into one whole, to reunify all the disciplines of practical art - sculpture, painting, handicrafts, and crafts - as inseparable components of a new architecture.

If I were of the trade, I should naturalize art as much as they "artialize" nature.

I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'

I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.

With regards to music, I don't want to pigeonhole myself and say I am a musician or a visual artist, because I feel like it's all-encompassing, and I feel like every bit of my art is related to the other.

All of the music works on its own, but it doesn't really make as much sense without the picture.

By the unification of architecture, sculpture and painting a new plastic reality will be created.

The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.

I want to use things I learn about writing in my acting, and vice versa.