I'm an entrepreneur, a businessman. I've got a lot of money, and that doesn't go very well with the whole 'starving artist in a garret' routine.
I am one of those artists who knows where their money is. I pay my bills; I take care of my mama. I handle my business. I am a businessman. I go to meetings and take care of things, so it's a lot more than just partying and turning up.
My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.
I think that Van Gogh is really the ultimate crazy artist that we all think of.
In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, "Ugh."
I've dated the sweet mama's boy, the musician rocker, the struggling artist - basically a lot of people without jobs.
If I was strictly an artist, I'd have to learn to dance and get a shiny suit and stuff.
Artists are mostly shits of the worst order. You wouldn't want one living next door to you. Think about it: Vincent Van Gogh living next door, coming over to borrow your ear and a cup of sugar every morning-Good God!
We artists are a different breed of people. We're a happy bunch.
I didn't want people to know that I was an artist. I was ashamed. I thought artists were weird, crazy people, you know. So I always kind of hid the fact that I was an artist.
That was the greatest trick in music that people ever pulled off, to convince artists that you can't be an artist and make money. I think the people that were making the millions said that. It was almost shameful, especially in rock n' roll.
We artists love to talk tough, but we're just as sentimental as everyone else when it comes down to it.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
I'm an artist. And usually when I tell people I'm an artist, they just look at me and say, 'Do you paint?' or 'What kind of medium do you work in?'
I don't agree with this romantic fantasy that people who suffer from depression are more likely to be artists. I find that I am more creative when I am happy actually.
A lot of people have a misconception about artists, that they're invincible, you know, they're on a different plateau. But I'm just a human being.
When people say the words 'singer-songwriter,' I think they have an image in their heads of someone with an acoustic guitar who is a bit woe-is-me. I'd like to think that I'm not one of those. I'm quite a happy person.
When I talk about my artist parents, people imagine a bohemian environment and think, 'Aha, so that's where he gets it from!' But we were as white, straight, and middle-class as the next family on our white, straight, middle-class housing estate.
Why do people think artists are special? It's just another job.
I don't know many artists who are not crazy.
If a scientist were to cut his ear off, no one would take it as evidence of a heightened sensibility.
You know, musicians aren't very stable, in case you hadn't noticed.
Music can kind of make you one-dimensional. People see what's on the surface and what you rap about, and they make their decision on who you are from there.
People used to assume I was a serious/sad person because of my music for some reason.
Maybe my work looks a little crazy, a little insane, but I don't really see myself as a crazy artist or a shaman artist.