Ad Libbing Quotes

I never work from the script. I get the script more or less.

Oprah was famous for going to a garden party and ad-libbing. She could literally interview people for a half hour about nothing, and it was entertaining. She had her own show before she had her own show.

Natural politicians are skilled actors, recreating reality, adjusting and ad-libbing, synthesizing the scenes, saying the same thing over and over again and making it seem that theyare saying it for the first time.

Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.

I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.

I like to say whatever comes to mind when I am in the ring and work off the reaction from the crowd.

I also think if you're an actor and you can improvise, when you go on an audition and you can improvise you're just a genius. If you can, you know, take a Tide commercial and you can just say one funny line that's not in the commercial they think you're a genius.

The first feature film I did, when I did 'Night Shift,' I improvised quite a bit because I would improvise at the audition, so sometimes I would return to the original lines, and then when I was on set, I would improvise even more.

If I have one criticism of the other late-night shows, it's that they're almost entirely scripted.

In 'There's Something About Mary' and 'Dumb & Dumber,' I ended up improvising quite a bit of my scenes, and later I didn't even remember what I'd said because I just winged it. When I went and saw the movie, I was as stunned as everyone else was.

I've never really prided myself as being quick on my feet. Maybe you've had the experience where somebody's asked you a question and you give an answer, then later in the day you think, "Oh, I wish I'd said that!" I tend to journal these things and put the answers in sermons.

In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.

I don't think there's anything Craig Ferguson could say that would make me laugh. Ad-libbing is not the same as entertainment.

My whole act is off the top of my head.

I'm not very good when I'm given scripts.

I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.

I remember on 'Dr. Katz,' there was no script really at all. There were just scene outlines.

Flair was a guy who 90 percent of your match was called on the fly, while Savage was a guy who had 90 percent of it set in stone before the match began.

I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.

When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.

I never have fixed subjects that I discuss on stage. I never go on with any particular subjects in mind.

No one coaches what to do after three seconds, after the quarterback's broken the pocket or he's been in the pocket for five, six seconds.

Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.

I do a lot of improvising on movies, actually.

Honestly, I think we in the WWE are very underrated as performers. What we do would be very difficult for even an experienced actor. To go out and sometimes have 15 minutes of verbiage, sometimes have to ad-lib and then, of course, have other variables such as the interaction with the audience, it can be challenging.