Miranda July Quotes

I wonder if we are all wrong about each other, if we are just composing unwritten novels about the people we meet?

I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.

Few real people appear in my two novels, actually. "Ari" appears on the edge of this book a couple of times - but on the edge, she's never in it, even if she's a determining force from the outside. Everybody in the first book was basically made up, if never from scratch.

My characters are quite as real to me as so-called real people; which is one reason why I'm not subject to what is known as loneliness. I have plenty of company.

The movies I make tend not to be quite reality but the characters are inspired by real people and they're always very personal.

I never base characters on real people - you can get into so much trouble that way!

Reality is not digital, an on-off state, but analog. Something gradual. In other words, reality is a quality that things possess in the same way that they possess, say, weight. Some people are more real than others, for example. It has been estimated that there are only about five hundred real people on any given planet, which is why they keep unexpectedly running into one another all the time.

For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.

When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.

I like to write about people who are real and likeable. I like to write about people who tell their stories in that close and intimate voice we use with best friends. I love the closeness and honesty and vulnerability that come from characters who can talk that way.

While we exert ourselves to grow beyond our humanity, to leave the human behind us, God becomes human; and we must recognize that God wills that we be human, real human beings. While we distinguish between pious and godless, good and evil, noble and base, God loves real people without distinction.

The imagined memories had to have as much weight as the real, or we had to at least pretend they did to such a degree that they just very well might have. And so I never questioned Angela about that particular story, or about all the troubling things that it pointed to, content to believe that at least in this version things worked for her better than they did in the one I never heard.

I’ll be real discreet,” Tank said. As discreet as a six-foot-six, no-neck guy weighing three hundred and fifty pounds, all dressed in black SWAT clothes, with a Glock holstered at his side could be.

Authenticity resonates with people. The industry can be very misleading and is built to make people believe what they see. But people aren't dumb they can see through that and I think real music and real people resonate.

Judicial excellence requires an understanding that the law is more than an intellectual game and more than a mental exercise. He or she must recognize that real people with real problems are affected by the decisions rendered by the court. Justice, after all, may be blind, but it should not be deaf.

In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.

It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color.

Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.

It considers not only how we relate to others, but how we relate to our ideas of others so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or "people.

The real truth about a lot of life's mysteries can be explained by science but people don't want to get in bed with science because it's cold. They prefer religion, myth, drama.

That is a society editor, sitting there elegantly dressed, with his legs crossed in that indolent way, observing the clothes the ladies wear, so that he can describe them for his paper and make them out finer than they are and get bribes for it and become wealthy.

For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

New York. It's home to opera, Broadway, museums, the ballet and orchestra - everything that I love. The most real people in the world live there.

As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.

Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.