Grace Slick Quotes

Yeah, with 'NASARATI,' that was my first project. I really worked literally three days on it, writing on the beats and putting it together. I'm not saying that I don't love the mixtape, but it was really my first, first move in rap. I tried to make sure everything sound different, so you hear no two songs and think they sound alike.

Be willing and unafraid to write badly, because often the bad stuff...forms a base on which to build something better.

I don't know what I'm going to write when I begin to write. It feels like you are walking down a path, but you can't see around the bend and you don't know where you are going to go, which is fun.

The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes.

Lie. Put down on paper the most interesting lies you can imagine. . .and then make them plausible.

While I do believe I become a technically better writer over time, in others ways writing gets harder because inspiration is finite.

A sense of that kind of narrative movement that we experience online could have been in my mind easily, though not consciously. I do rely so much on my unconscious, the way I write my stuff the way I do. I let my unconscious work. I have better ideas that way and more interesting work.

If you write every day, you're going to write a lot of things that aren't terribly good, but you're going to have given things a chance to have their moments of sprouting.

I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.

When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

I do a lot of brainstorming with my editors. Sometimes it just comes out in the writing. I'll get an idea as I'm writing the chapter. I try to go for maximum surprises in PLL, stuff you don't see coming. It's a lot of fun!

You go out into the world, you read everything you can read, you imitate the things you love, and you learn how hard it is to do. Eventually, you learn your own vision of the world, you learn your own voice and how to hear it, and you learn to write your own work. Writers today have as many opportunities as my generation did, but they don't see the examples as clearly as we did.

I hate feeling too complacent when I write. I like to be solving new problems.

To sum it all up, if you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must write dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next.

You never learn how to write a novel. You just learn how to write the novel that you're writing.

Once I got the open tunings for some reason, I began to get the harmonic sophistication that I heard that my musical fountain inside was excited by. Once I got some interesting chords to play with, my writing began to come.

I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.

The writing is amazing because having a hand in creating what you're going to be performing... there's nothing like it. It's always going to be better suited for you. You're always going to know the lines faster, because you wrote it. The writing is so very hard. It's the hardest part of the whole process. In some ways the acting is a lot easier and a lot more fun.

Writing and producing the show is an intellectual process. Performing the show is far more athletic and intuitive, because you don't get to do it twice. It helps if you've done whatever the old saw is, 10,000 hours of it. Because I've done 10,000 hours of comedy, I have this database in my mind of what works and what doesn't work.

I never plan. I never know what the next page is going to be..... But that's the fun of writing a novel or a story, because I don't know what's going to happen next.

I love worldbuilding. It's as much fun for me as writing itself. It's like a hobby of mine.

As with all other aspects of the narrative art, you will improve with practice, but practice will never make you perfect. Why should it? What fun would that be?

I definitely think of myself still as a writer first, and feel like - with the lucky exception of this - any acting opportunity I've gotten is usually because I was writing on it. This is like a wonderful vacation. If you've ever sat in a writers' room it's the most disgusting, tortuous place, so it's a treat to be treated like a movie actor.

I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.

You do not learn how to write novels in a writing program. You learn how by leading an interesting life. Open yourself up to all experience. Let life pour through you the way light pours through leaves.