Melissa George Quotes

I didn't have to audition. That's common, but it had never happened to me before. Normally, I hate auditioning. I need to stew and think... let the character develop and grow inside me.

I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.

There is always pressure playing a real living person and even pressure developing a character from scratch.

Sometimes a scene works and acting is the easiest thing in the world and you don't have to do much of anything - just enjoy yourself and listen to the other actor. When it doesn't work, then every actor has different ways of dealing with the impasse. Sometimes you use memories from the past. Whatever. It depends from job to job.

It's always challenging to go into a role.

I'm just an actress. They try to give me as little information as possible.

In the acting game, you spend a long time fighting against what the director perceives you to be. And half the time the directors don't know.

I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.

Before 'The Walking Dead,' a few of the jobs before that were just like, 'Ugh.' I try and make everything as creative as possible, even when I get the script and can't imagine what I'm going to do with it.

I learned the process of this kind of acting, how things run, how chaotic it can be, and what kind of different muscles you have to flex.

There's a lot of pressure being an actor and taking on challenges that people don't expect of you.

When I got the script for 'The Art of Seduction,' I realised I'd never been in a comedy, so I decided to experiment. What the character went through could never happen in my own life.

'Heirs' became an emotional experience for me. I had a hard time bringing out my emotions in the series. I used all my physical and emotional energy to bring out all that acting.

There are some indications of how the character should behave based on the script, and then as actor makes it his or her own. I got to know one of the writers, Chris Terrio, and we were able to discuss things at length and figure out who this person is to create a real psychology behind what is, perhaps, in a comic book, a less than totally modern psychology. I can only say I've been asked to play an interesting role. A complicated, challenging person.

People say, "Why is it that you love to act?" And you want to say, "Well, most of acting is sitting in your trailer, either bored or worried about the scene coming up." A lot of it is about things you don't really like, so it's a wonder why acting is such a huge draw, why everyone loves it so much.

Sometimes it feels weird being an actor surrounded by all these real fighters and you gotta keep your confidence high and do your best to learn it as quickly as possible.

When I have to do a scene where I feel vulnerable as an actress, I always grow from those experiences, so I welcome them. Even though it may not feel amazing at first. You have to embrace it and use it to improve yourself.

I was trying. I was crawling. I was coming into myself. I was trying to in some ways get beyond - what is the word that I'm looking for? - metaphorical language in painting, and to create something that was more indexical. And what I mean by that is that when you go to the library there's an index card that refers to a book that's actual and real in the world. So that index relates to something real.

I was such a huge fan of Harry Potter books. That's how I got into it. I had never really thought about acting or a career. I just wanted to be Ron, really. It was a very unusual introduction into the industry, and we learned so much. It's been a real education and an evolution. I really, really enjoy this.

With acting, it [auditioning] is very frustrating. I'm not very good at auditions. Sometimes I audition for a role and I'm like, I'd be really funny in that role, but I'm not good at auditions so I guess I'm not getting that role. It's a very frustrating job.

I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.

I come down as an actor and my marks are already laid out on the floor - somebody else organized what I'm going to do. I think, why am I here? And why I'm here is to express the words with some sort of vague emotion and make them seem real. I wanted to go back to how it was before.

Going into editing when I got to New York was part of that. I guess I just kind of wanted to know as much as possible. But I have a real love of the whole process, from start to finish. So right now, I fit into the acting part of the process, but I wouldn't rule anything out. I'm enamored with how the whole thing works.

I watched every single Bond movie three or four times, taking in everything I could about how the character had been portrayed in the past, then threw all that away once I started doing the role.

I went to NYU for acting, for six years. I thought acting was the easy way out or in because I didn't put in enough effort in school, being a crazy kid in college. But, I was good at it, so that was the other side of it. I would love to direct. What I've learned from being on set is more how to deal with actors than even the visual part of it all.