Libba Bray Quotes

The thing about 'Watchmen' that people should know is that when it came out there was absolutely nothing like it. Up until then, comics were about the same thing: a guy in tights fighting another guy in tights and saving the girl - that was it.

When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.

One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.

When I read 'Watchmen,' it changed my view of so many things. It was the first time I'd read a graphic novel really like that.

It's not easy to convey to someone who doesn't read comics just how Alan Moore has dominated the field since 'Watchmen.'

'Watchmen' is not only the greatest comic ever written, it's a really important work of fiction.

'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.

'The Matrix' is a movie that is all about glamour. I could do a whole talk on 'The Matrix' and glamour. It was criticized for glamorizing violence, because, look - sunglasses and those long coats, and, of course, they could walk up walls and do all these kinds of things that are impossible in the real world.

I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.

The '80s convergence of comics' new adult sensibility with the movies' advancing technology was bound to catch the attention of even slow-on-the-uptake Hollywood, and this particularly was true when 'Watchmen' and 'The Dark Knight Returns' became phenomena.

I first became an Alan Moore fan in Covent Garden on a Saturday afternoon in 1987, when I bought a copy of 'Watchmen,' his graphic novel about ageing superheroes and nuclear apocalypse.

Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.

Alan Moore's first choice to be the Comedian... was Burt Reynolds. But I never saw myself as Burt Reynolds; I saw myself as Edward Blake.

Within the macho-melodrama tropes of the superhero genre, it's fair to say 'Watchmen' stands out for its rich entertainment, its darkness, and its lurid pleasures. Its vividly drawn panels, moody colors and lush imagery make its popularity well-deserved, if disproportionate.

My very small part in WATCHMEN is that, every now and then, Alan would phone me: ''Neil, you're an educated man. Where does it say...'' He would need a quote from the Bible, or an essay about owls. I was his occasional research assistant.

The original series of Watchmen is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC's reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire.

The cool thing about Watchmen is it has this really complicated question that it asks, which is: who polices the police or who governs the government? Who does God pray to? Those are pretty deep questions but also pretty fun questions. Kind of exciting. It tries to subvert the superhero genre by giving you these big questions, moral questions. Why do you think you're on a fun ride? Suddenly you're like how am I supposed to feel about that?

The only way to move forward on this is to ask yourself, "What would happen if everything I thought was 'wrong' was actually 'right'?"

A type of revolutionary novelty may be extremely beautiful in itself; but, for the creatures of habit that we are, its very novelty tends to make it illegible, at any rate to begin with.

Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there.

Once your mind stretches to a new level it never goes back to its original dimension

Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety.

The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.

Jody Houser, who writes Mother Panic, has this noir-ish superhero style. She's very adaptable.

New insights fail to get put into practice because they conflict with deeply held internal images of how the world works...images that limit us to familiar ways of thinking and acting. That is why the discipline of managing mental models - surfacing, testing, and improving our internal pictures of how the world works - promises to be a major breakthrough for learning organizations.