Laurie Halse Anderson Quotes

I just let the character speak to me and things appear.

I get a lot of energy from making things up, which is why I feel I'm a novelist.

It is very enjoyable, writing a story. You get this idea. It takes hold of you. And then you spend day and night thinking about how to do it. And then you do it. And much later, you think, 'Oh, yes. That's an interesting question.'

I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time.

Definitely they write themselves. It's an amazing experience. It's like the characters have come alive and are sitting on my shoulder talking to me, telling me their tales.

The writing part of my life never changes, because that's just when the inspiration comes.

I don't outline; I listen to a kind of whisper inside the material.

Writing is a mysterious process, and many ideas come from deep within the imagination, so it's very hard to say how characters come about. Mostly, they just happen.

I tend to have an endless number of ideas for writing projects. I don't necessarily say that as a good thing. Maybe it's a good thing, but I have ideas for all kinds of projects: contemporary novels, graphic novels, anything that happens to go through my mind.

There's a mystery to writing, and you don't really know where most of it comes from.

I hope the wonder of what happens to my characters never goes away. That yearning keeps me writing.

It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.

When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.

When you're a writer, everything that interests you feeds into your work.

I don't have goals when writing books, apart from getting to the end. I have rather vague ideas about how I want things to feel, I'm big on ambience. I have a title, a beginning and a probable ending and go from there.

I get to do what I love every day. I get to crawl into someone else's head and I love that.

I try to begin writing as close to a dreamlike state as I can get.

A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.

The deal is such that when I begin writing something, I open a door, and those characters come in, and then they won't leave, and so I live with them every day, all day. They are there with me when I'm driving my kids to school, when I'm standing in line at the grocery store.

Writing a novel isn't like building a brick wall. You don't figure out how to do it, and then it gets easier each time because you know what you're doing. With writing a novel, you have to figure it out each time. Each time you start over, you just have the language and the idea and the hope.

Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates.

My novels come from within me; they are things I feel I want to do.

For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.

Blank paper has always inspired me.

And once I know what the first page is, then the rest will come.