Colin Kaepernick Quotes

Every time I hear, Cut. Print, something cold and electrical goes off in my head, because I'm never going to change that film.

I love the quality, feel and history of film. I love the pictures of the giant cameras and the way it was.

When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.

You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.

Everything that is somehow related to direction and filmmaking fascinates me, like cinematography.

The only time I'm totally happy is when I'm watching films or making them.

As a DP who mostly does features, I'm normally in a director's pocket, 24/7.

I grew up loving watching movies, and at a certain point, I started to become fascinated with making movies. Then I went to film school, and I got to dabble with different aspects of moviemaking, and I ended up settling heavily into editing - editing was what I was really adept at, had a passion for.

I am a movie buff. I am a huge fan of all genres, and watch them whenever I can. I also write and produce movies in the offseason.

Let my critics direct a movie if they think it's so easy!

I was in film school as an undergrad with a focus on directing. Once I started working on shoots, I realized, 'Oh, I really like this cinematography thing.'

I'm usually known for films that look beautiful and attractive, probably because I am a cinematographer too.

After the blockbuster 'Magadheera,' I made a film with comedian Sunil as the hero. If I am interested in making a film - big or small - I will go ahead and make it.

It's very rare to watch a movie and think, 'That's the movie we shot!' So many things happen, with edits and things getting cut out.

I got into films by accident.

A movie contains literally tens of thousands of ideas. They're in the form of every sentence; in the performance of each line; in the design of characters, sets, and backgrounds; in the locations of the camera; in the colors, the lighting, the pacing.

I am eternally impressed and amazed by what directors do.

I did my first film when I was 14. I did not take films seriously. It was just a time pass for me then.

The first movie I produced was a movie that Joel Schumacher wrote and directed called 'Amateur Night at the Dixie Bar and Grill.'

I took one film class at NYU over a summer and learned the basics - you know, how to load a camera and how to light and how to edit - and I became a film editor.

I just ended up focusing on film editing as I was getting my career started. I'm very passionate about editing and will continue to edit for the rest of my career, but it's not like that was all I did and then somehow I grew into directing a movie.

I really want to get into feature films.

I've got to give a lot of credit to my cinematographer, Chung-hoon Chung, who is a master and among other things shot 'Old Boy,' which is a very famous single-take fight scene. He's really a true master.

When I first started in the industry, there were - this is prior to the era of computer graphics and all these digital tools - there were some pretty rigid, technologically imposed limitations about how you shoot things, because if you didn't shoot 'em the right way, you couldn't make the shot work.

I wouldn't necessarily recommend shooting a feature film on a still camera.