Patricia Marx Quotes

After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.

I can't copy nature.

Architecture is the will of an epoch translated into space.

I may look like an American WASPy doctor or lawyer, but I feel just like Woody Allen. Don't cast me for my looks - I have a very ironic, existential, crazy Jew in me.

We sing in English, not mimicking some American rock singer's accent. That's just pretending to be something you ain't.

Quite honestly, if I were doing work related to a living being or historical being where there was visual or audio recordings available, I would find that extremely difficult because I don't know how you would avoid the process of mimicry. And mimicry, to me at any rate, is a very dull prospect.

When I lived in Beijing in 1996, it was a horizontal city. If you wanted to go out for a burger, if you wanted to really treat yourself, you went to this place called the Jianguo Hotel. The architect had proudly described it as a perfect replica of a Holiday Inn that he had seen in Palo Alto, California.

Don't get me wrong - I'm a big fan of things American - but when American people do British stuff, it's so universally dreadful.

The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.

What will remain of our cultural identity if audiovisual Europe consists of ... sitting in front of Japanese TV sets showing American programs.

What works in Chattanooga now works in the Sixth Arrondissement of Paris; it’s a little sad.

Europe, mourning the loss of its century-old supremacy, either resorts to insulation (by quotas and “cultural exception” clauses) or seeks solace in the disparagement of American culture as vulgar, inauthentic, or stolen.

Identity politics includes the assertion of difference from ‘the West’, and the defenses against cultural invasions and ‘pollution’ by Western styles. The insistent emphasis on this theme is accompanied by its flagrant but largely unacknowledged subversion in everyday activity and styles, from dress, to food to music and entertainment, to media consumptions, to public spaces and general consumption patterns. While McDonald’s is boycotted because it is American, native fast food chains emerge which are direct imitations; the boycott of Coca Cola spawns Mecca Cola.

It isn't pleasant to surrender to the hegemony of a nation which is still wild and primitive, and to concede the absolute superiority of its customs and institutions, science and technology, literature and art. Must one sacrifice so much in the name of the unity of mankind?

If you try to create someone else's performance, it becomes a facsimile of a facsimile.

There are artists in Belgium who try to imitate American artists. But it's like, if you're Belgian pretending to be American, you won't be better than the American because you aren't American. You have to do your own stuff.

I believe my hologram might be as good as me.

I don't speak cockney and I don't pretend to come from that part of the world. For the longest time the English, like the Beatles and so on sounded American. "She loves you yeah yeah yeah!" All of the sudden you sound American. It doesn't work that way with Americans who try to sing English. It's not convincing. If I say "Footy" and "tele" and "Brissy" and "Sydney" and "Simmo" it's not convincing.

The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?

I don't personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.

It seemed to me to be a parable of the exchange of goods, rather Marxist in some ways, in the new world of global forces. What the forgers do is write the brand name to try and change it, and it works! Loads of people buy fake Prada handbags, or Chanel sunglasses; they've been changed. They have been truly, really changed.

Jazz is an Uncle Tom word. They should stop using that word for selling. I told George Wein the other day that he should stop using it.

Perfect imitations must share the fate of the originals.

I think globalization actually maintains and fosters various elements of national and cultural identities. I don't think everything is being homogenized. If anything, your food, your culture, and your ethnicity might become part of the globalized world, and thus absorbed by other countries.

To deny this is to deny our own heritage, our own spirit, and our own souls.