Tippi Hedren Quotes

I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.

A horrible script 99 percent of the time means a horrible movie. But if you start with a good script, odds are you're going to have a good movie.

It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.

There's no such thing as easy, but it's easier when a script is good.

I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.

You can dress it up, but it comes down to the fact that a movie is only as good as its script.

I'm not put off so much by first-time directors if the script is great. If the script isn't there, I'm not there.

You can't make a good movie with a bad script, no matter who's involved.

The super success of '3 Idiots' has taught us that cost of making a film is not important at all; it's all about things going well at the script level.

Finding one good script is a huge challenge. So I do a film whose script comes and grabs me. Once I finish that, I look forward to the next movie.

The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.

I think a good script is a rare thing, and I think no matter who you are you have to fight for the good ones.

It's very difficult to find good scripts in Hollywood any more.

Good scripts are hard to find.

As far as I know, if you take your time, write a good script and make a good film, then give the audience time, they will accept it.

I love to be creative and to put flesh onto the ideas that are inside of me. And there are not that many great programs that are coming out through Hollywood, and I'm tired of waiting around for someone to hand me a good script, so I'm going to go and produce something.

If making movies was easier, there'd be a lot more good movies. So you kind of learn that if it's just a good script, or if it's just a good producer, that's not always enough. You need an entire team of creative people coming together.

India needs better producers than screenwriters. No producer wants to invest in out-of-the way scripts.

When you have a good script you're almost in more trouble than when you have a terrible script.

There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.

I take time to write my script, if I have more scripts, I will make more movies.

For me, it's important that the script is good. Then a good director will want to make it.

I accept offers only when people approach me with a good script, and all those experiences have been great.

Our vision is to break the projects into stories that must be told, stories that we would like to tell and stories that people go to movies for. If we can find great scripts that fit these three categories, we will go out and make a movie.

Great writing attracts great actors. It attracts money. Without a great script, you have nothing.