Eazy-E Quotes

I grew up in Compton: 116th and Wilmington.

You could name practically any problem in the hood and there'd be a rap song for you.

N.W.A. were the first great rap audio documentarians of the problems in our inner cities.

What I'm trying to tell people is that police brutality in the 'hood is nothing new. And the thing is that whether this guy, the cop killer in my song, is real or not, believe it, there are people at that point.

I rap about Memphis and what a dangerous spot that is.

You might go into 'Dope' feeling you already know what this movie is because, all right, there's kids, they're from Inglewood, oh, it's drugs.

The problem of the Panthers is that they scared people. The music of N.W.A didn't scare people; it taught people what it was like to grow up in our inner cities.

My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.

This film [Chi-Raq]is a declaration. It's a scream. It's a warning. And I can really break it down to one scene. That's the scene where we have the eulogy and sermon that is given by the great John Cusack.

I rap when I'm rich. I rap when I'm broke. I rap when I'm bullshit in the street. I rap about only having one woman now. If you can look at a continuum of my career, it's been an evolution of a real dude. So when I say I take my wife to the strip club, we're there, at the five-dollar joint. More than anything, I want people to take away that I'm not mainstream act.

I'm trying to get other niggas off the streets.

When I first started rapping, when I switched my style to more like a punch line style - this is when I'm like 13 years old - and I switched it to this real wordy - I was trying to rap like Canibus and like Eminem. It was real lyrical, real wordy and punch lines and, when I would come up with these punch lines and spit 'em in these cyphers, the minute the cyphers would be like, "Ohhh" and everybody would break away, it was a new feeling for me. It was like, "Oh, yo, you see what I just did?" I was addicted to that feeling, and I still love that feeling.

You know the steez; you know my whole program. Brothers from the No-Lands, all we want is the G's guns and grams.

I did admire the comments and the music of Pete Seeger and Woody Guthrie. And that didn't fly too well in the Deep South. It was not quite redneck enough.

Public Enemy started out as a benchmark in rap music in the mid-1980s. We felt there was a need to actually progress the music and say something because we were slightly older than the demographic of rap artists at the time. It was a time of heightened rightwing politics, so the climate dictated the direction of the group.

There's no question that there's been a breach in the trust between urban - especially urban community, African-American and minority communities and the police in major American cities.

The white cracker who wrote the National Anthem knew what he was doing. He set the word "free" to a note so high nobody could reach it. That was deliberate.

I'm no reporter. That's for the man with a suit and tie. I'm just relating to my people the best way I know, bringing them what they know and what they see out on the streets. I'm bringing it to them in a musical way, through a way of partying rather than violence. Now they can party their way through their problems.

A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.

Rap music came along and saved my life. I started to tell the stories of the streets and that was my way out.

I don't think I'm more politically-based as much as socially-based. My grandmother died on February 29th, and she kept all of my magazine and newspaper scraps, every interview. I've been in the newspapers since I was about 15 - not for rapping, but for real substantive stuff I was doing in the community, organizing around gang violence in the schools. So I had already made my grandma proud before I was on TV. I've always been who I am.