Paul Auster Quotes

I don't know what the secret is when I am writing it - it really is a surprise to me.

You never know how - or when - the idea for a book will appear.

The act of writing surprises me all the time. A miraculous thing happens when you have an idea and you want to convert it into words... and then you start to create a work of art, and that's another miracle, and it remains mysterious to the writer, or to this writer anyway.

I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.

I have reached the point where I know that as long as I sit down to write, the ideas will come. What they will be, I don't know.

I always think I know the way a novel will go. I write maps on oversized art pads like the kind I carried around in college when I was earnest about drawing. I need to have some idea of the shape of the novel, where its headed, so that I can proceed with confidence. But the truth is my characters start doing and saying things I don't expect.

I swim in a sea of words. They flow around me and through me and, by a process that is not fully clear to me, some delicate hidden membrane draws forth the stuff that is the necessary condition of my life.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

What I do is write, and I try to write as closely as I can into what I call 'the mystery.'

It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.

So usually even if you like a sentence or a story or something, it won't come out that way - it'll come out years later, and in a different way, and you don't really control that.

Where story comes from, I don't know. I know that I become obsessed with something. An idea, an image, a person, the way a person talks. And then something starts happening that I can't explain, and it has a lot to do with language.

If you're a writer, you know there are ways in which we don't know what we're doing at all. We're working out mysteries in a sort of poetic realm, and hoping that if a story is honest, if you're dragging the deep truth out of yourself, then something good and profound might come out of it.

I think we writers are very superstitious. We don't know why it's working when it's working, so we attach cause and effect.

It's tough to know what I'm going to write about. I never really know until it starts happening.

I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me.

I don't know what I'm going to write when I begin to write. It feels like you are walking down a path, but you can't see around the bend and you don't know where you are going to go, which is fun.

It is very enjoyable, writing a story. You get this idea. It takes hold of you. And then you spend day and night thinking about how to do it. And then you do it. And much later, you think, 'Oh, yes. That's an interesting question.'

Writing is no trouble: you just jot down ideas as they occur to you. The jotting is simplicity itself - it is the occurring which is difficult.

I've never had a writer's block, but still I think: 'Is it going to happen this time?' You never know what you're going to get; you just put your fingers on the keys and hope.

Blank paper has always inspired me.

And once I know what the first page is, then the rest will come.

Stories come to me and I don't know where they come from, but afterwards I can look back and say, 'Oh yes, that's got a little bit of me, or a little bit of my own son in it'. That's where ideas come from.

Having imagination it takes you an hour to write a paragraph that if you were unimaginative would take you only a minute.

I've never written a book with an outline or a predetermined theme. It's only in retrospect that themes or subjects become identifiable. That's the fun of it: discovering what's next. I'm often surprised by plot developments I would not have dreamed of starting out, but that, in the course of the writing, come to seem inevitable.