E. B. White Quotes

In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile.

Literature is at once the cause and the effect of social progress.

I was the first records editor at Rolling Stone, and there were no rules. There was nothing to fall back on as to how do you write about this kind of music, so people were trying absolutely everything with a great sense of freedom and experimentation and success and failure, and a feeling of, “My God, people are actually paying attention to this. Let’s pretend they aren’t because we don’t want to be intimidated by what somebody might think of what we’re saying.

I'm sometimes asked how I would like to be remembered. I've had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer - one who entertained readers, and, hopefully, stretched their imagination as well.

I'm not a Mexican writer, but I think everything that happens in Mexico affects the Mexican writers I know, in their sense of being human and of being Mexican, even if they don't in any explicit way address these issues in their writing.

Novels function and the power of novels function because of their stories.

I think fiction comes from everything you've ever done, and said, and dreamed, and imagined. It comes from everything you've read and haven't read... I think my work comes out of the culture of the world around me. I think that's where my language comes from.

I have always known that writing fiction had little effect on the world; that if it did, young men would not have gone to war after The Iliad.

Our experience is coloured through and through by books and plays and the cinema, and it takes patience and skill to disentangle the things we have really learned from life for ourselves.

Nothing ought to be more weighed than the nature of books recommended by public authority. So recommended, they soon form the character of the age.

Salinger is such a terrific writer; he did so many great things. He is one of those writers that I still reread, simply because he makes me see the possibilities and makes me feel like writing. There are certain writers who put you in the mood to write. In the way a whiff of a cigar will bring back memories of a ballgame on a Saturday afternoon, reading Salinger makes me want to get to the typewriter.

What most of us must be involved in--whether we teach or write, make films, write films, direct films, play music, act, whatever we do--has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world.

If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.

Style is an attitude; a trend is just another thing to follow.

Reading yields a wish to write, I think, except if the reading is dull and uninspiring.

All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.

Musicians have the power to influence people and along with movie makers, they can reach and influence more people than any group of people, more than scientists and certainly more than politicians.

I have wanted everything as a writer and a woman, but most of all a world changed utterly by my revelations.

Everything in my past, in my training, everything that has been most essential in my activity up to now has made me above all a man who writes, and it is too late for that to change.

The writer is important only by dint of the territory he colonizes.

You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book — if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.

Thackeray and Balzac will make it possible for our descendants to live over again the England and France of to-day. Seen in this light, the novelist has a higher office than merely and amuse his contemporaries.

Literature in its most comprehensive sense is the autobiography of humanity.

It is the age that forms the man, not the man that forms the age.

I have a great deal of hope. I think that change is here, it's happening. But I know that if we think it's just going to happen on its own, that's not the way it works. We need people to keep talking about women of color writing comics and living the charge. Not just talking but doing. Making art, putting it out there.