P. D. James Quotes

I knew what I didn't want, and I knew whatever it was going to be it had to be believable and it had to come from me and I had to drive it. The way I write is very honest and when I think of the music that I listened to growing up, I loved it because I believed it.

Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.

No matter what I put out, no matter what genre - because I feel like I'm going to experiment with everything - I hope people will see that it's true to me, that it's honest, and nobody ever thinks that I'm inauthentic.

In my opinion, trying to guess what readers want is the wrong approach. You have to tell your story as best you can and as true to yourself as possible. You have to be honest and fair and vulnerable and foolish and brave, and not care what anyone thinks of it.

I don't think you can separate a person's "style" and his persona. If you're writing or improvising honestly, you will inevitably reflect who you are.

You're supposed to be who you are. You're supposed to make music that is true to you.

I can only say that I myself wrote always as I wished, without a tremendous desire to find the latest thing possible.

We started making content because we wanted to see it, and so our content ended up being genuine.

The rule I stand by as an artist is definitely be yourself, and don't make music just for other people: make it for you first.

We only do what we think is good and what we're happy with. I do that in stand-up, I even do it with my children's books. I don't do market research, I don't have focus groups, I don't care. I don't care if it fails, honestly. I'd rather have something that's completely mine fail than something succeed that I'm not proud of.

Make sure that everything you produce and create is organic to you.

When I write, I do it urged by an intimate necessity. I don't have in mind an exclusive public, or a public of multitudes, I don't think in either thing. I think about expressing what I want to say. I try to do it in the simplest way possible.

You have to follow your own voice. You have to be yourself when you write. In effect, you have to announce, 'This is me, this is what I stand for, this is what you get when you read me. I'm doing the best I can - buy me or not - but this is who I am as a writer.

You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.

Don't write what you think people want to read. Find your voice and write about what's in your heart.

The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.

My life is not a political campaign. I just write about what is on my mind. I just play whatever I feel like playing. Whatever is in my soul at the time is what I want to do. I have, thank god, enough people who are still interested in what I am doing so that I can go out and keep doing it.

Write what you think is good, is the whole of the law.

I don't rap like nobody, I don't try to sound like nobody.

Sometimes, there's a preconceived notion of how a scene or how a work should be delivered. And I see young performers sometimes try and deliver that, and it's not really true to their voice or who they are.

My greatest achievement is being able to write records that are real snapshots of what's going on in my life. I won't repeat myself for the sake of commerce, or to please other people.

I don't think songs have to be like these super-#1-smash-hit-sounding songs, because I think it's more important that it's like, 'Hey! This is coming out of me. This is something I connect with. This is something that I like to sing.'

My concepts are never bright ideas; they're never notions I think will sell or be trendy or attract new fans. I don't think that way. All I can do is sing from my life.

All I can do is focus on staying true to the style of music I write and sing because that is the only way it's going to come off as honest.

I've heard some people say that I'm selling out, but I'm not. If I hadn't done 'Black Radio', and just kept on doing just piano trio stuff, I wouldn't be honest with myself; I'd be doing it to please other people. That would be selling out.