Shenaz Treasury Quotes

I would love to do more films. I really like the whole process of doing that. I like how close you become to everybody.

In India, film sets are like a family atmosphere.

I worked with Cameron Crowe, and I'd love to work with him again.

When you're making a film, you become incredibly close. It's not like you're filing away papers all day. You're creating with human emotions, so you do become very connected, so it is familial and romantic.

It's weird: making a movie is like life compacted into three months. You have these very intense relationships with people, and you talk to them every day - your editor, the casting people, music people, your actors - then it ends. It's like a circus life.

That's the magic of filmmaking. When you are on sets 18-20 hours of the day for two-three months at a stretch, the unit becomes like family.

There was a time when I used to enter the film studios in the morning and come out only at night.

I always enjoy shooting for all my films.

I have worked with Asin earlier in 'Housefull 2.' We had a good time working together.

When you go from movie to movie, it's like going from family to family. You work with people for really intense hours on really long days and a bond happens. So even when a movie is terrible, you love it.

Producing a film is not an easy job at all.

I would love to do ten films a year.

Ultimately what I try to do is work on stories I love with people I admire, and sometimes they get made and sometimes they don't.

In Hollywood, the system is so streamlined, the administration is in place. That's why every six months Spielberg is able to make a film.

I always knew the script was important, but I didn't realize how important until you get out there and just deal with the issues of putting a movie together. It's amazing that anything works, to be totally honest.

I don't know how films get made, and I think I'll leave it to other people.

Film is a collaborative medium, and I very much enjoy that.

I still recall how nervous I was when I went for the recording of 'Guzarish'… When I reached the studio, all of them were there - Rahman, Aamir Khan, lyricist Prasoon Joshi and director A.R. Murugadoss.

I've known Venkatesh Maha since 2015 and we often discuss several things related to cinema and filmmaking.

Film-makers are greedy people - we want good stories and good subjects.

It's fairly common to get something optioned but really rare to actually see it become a movie.

We tend to see films as artifacts of one mind. The reality of it is, I think, when you come out here and start working, you have to learn pretty quickly that it's a very collaborative process.

The experience of shooting 'Encounter' itself was very exciting and challenging.

Film is the toughest one for me, as there are many fingers in the pot, so it can be disappointing. However, to have your work seen on such a large scale, that's a very exciting prospect.

There is certainly no formula of making a successful film, but there are means to make a sensible film.