Marjane Satrapi Quotes

I'm just trying to tell a good story and make thought-provoking, entertaining films. I just try and draw upon the great culture we have as a people, from music, novels, the streets.

Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.

What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.

I think of Westernized culture as a good visual for my music.

I want to say that I can be Moroccan and speak about someone without speaking about his nationality. Because, you know, I have the feeling that when you come from Morocco, when you come from Afghanistan, when you come from Africa, Occidental people always wait for you to write a novel about identity.

I think when people think of music from coming from Oklahoma, they think of Toby Keith or even Garth Brooks or even Woody Guthrie. People think, "Why do we have to just be about the Bible and about football? Why can't we be about something like the Flaming Lips?" And I salute them! I say, "Well, that's great if you want that."

My paintings at their best take that vocabulary and attempt to transpose that into a form that gives respect not only to the history of painting but also to those people who look and sound like me.

When Cartier-Bresson goes to China, he shows that there are people in China, and that they are Chinese.

We [Rodriguez and Frank Miller] wanted to take the movies and turn them into a graphic novel, so that people wouldn't even know what they were looking at. It's still visual storytelling, but it's approached completely different. The two mediums don't have to be separate mediums. They can be one and the same.

Working with the Jewish community is essential to me and what I stand for. I do explicitly see Jewish people as a people - not either a religion or an ethnicity but a people. The Tories take Jewish London for granted. I will not.

I used to get upset with the word Bollywood, and what it means in the West. The stereotype of us being dancing, singing, puppet showgirls. Indians are nearly one fifth of the world's population; we have one of the most prolific film industries in the world. When people used to ask me about it, or replicate what they think is Bollywood dancing, thinking that they're being funny, I used to get offended. But now I show them the stuff we do.

Because of the internet and communications, the clash of cultures is much more direct. People feel, I think, less certain about their identity, less certain about economic security.

Galleries in the West have probably been looking for exoticism. That's the reason my paintings initially sold well, I think. And then once they started selling, people said my works were very detailed. They may have represented something Japanese to them.

When you think about it, some people don't like certain things, but when it comes to music, no matter who you are, where you're from, what kind of personality you've got...everyone loves music of some sort; that's what's so epic about it.

There is only one reason for art in America, and that is that the people of America learn the means of expressing themselves in their own time, and their own land.

What brought me to the theater, no matter you're a Jew or a Russian or Armenian or Latvian, are suddenly illuminated by stage light and one beautiful image of dance.

I'm a proud Indian but I feel very, very happy that people have accepted me here as well in the west. It's the people here in Britain that have given me my newfound fame here, so I owe it to them. We must give credit where it's deserved. It's not just the Asian community, it was also the British people who voted for me on Celebrity Big Brother and wanted to see me. So, I'm very happy and I think I'm a good eclectic mix of both cultures.

As soon as I came to L.A., I was told that I was exotic. I'd think, But I'm from Miami! I'm as American as a cheeseburger!

I'm a very, very basic photographer. The main strength of my pictures, I guess, is the mood and feel I get out of the people that I meet. But technically I don't think I'm very advanced. That never interested me.

I think art is the ability to change people with your work, to see things as they are and then create stories, images, and interactions that change the marketplace.

People think photography is about photographing. To me, it’s about relationships.

The beauty of being black in American society is that black has always been an inclusive definition. White has always been an exclusive definition. I think one of the challenges for white people is to figure out how to have a more inclusive picture of who their families are, of who they are.

People think one-point and two-point perspective is how the world actually looks, but of course, it isn't. It's a convention.

Whatever field you can do that, that's where you want to do it, and I think that's why people like David Fincher and Ridley Scott are interested in it, too, because when you sit down on a meeting in HBO and they're like, "More, more." You're just like, "Oh yeah, I love this." Sometimes it's a little harder in film. I think also it's a great audience, take advantage of it. It's a great audience.

It's something I want to do going forward - make a movie that is commercial and universal and will play in any movie theater or living room in the States or the UK, but is definitively Canadian. I don't think there's such a thing as prohibitively Canadian.