Eugene Ormandy Quotes

When the circumstances are right, everything becomes a dance.

Timing has a lot to with art.

And all the way, to guide their chime, With falling oars they kept their time.

Basketball for me has always been a matter of rhythm - what you do bouncing the ball, how you bounce the ball, how you run, how you receive the ball to be in rhythm.

Filming is so much to do with rhythm, as is music, and if it isn't there then you know in the end nobody can save it really, they can't.

Music is given to us with the sole purpose of establishing an order in things, including, and particularly, the coordination between man and time.

All the time, I play with a rhythm; if I'm too far out of the rhythm, I feel out of place.

Music always has to do with vibrations for me. I love to record everyone's heartbeats, in way. None of us beats at the same pace and a song is a magical moment where different entities, for a split second, meet up.

Rhythm is everything in boxing. Every move you make starts with your heart, and that's in rhythm or you're in trouble.

Everybody finished the song at different times. At last, only the Weasley twins were left singing along to a very slow funeral march.

I conduct faster so you can see my beat.

One of my central maxims is how a major part of what a conductor tries to do is get a large group of people to agree on where "now" actually is.

Just because you're not a drummer doesn't mean you don't have to keep time.

Dancing is like bank robbery, it takes split-second timing.

We've all got to make sure we're all pulling in the same direction. That's what's going to keep us ahead of the ball. As soon as we start getting in the opposite direction, that's when we start getting behind, and the results will start to show.

All the small things matter. Communication. It doesn't matter what you are doing. You have to be on the same page.

When you use a metronome, you'll start to notice where the notes are falling, if they're on the beat, behind the beat, between the beat, and so on.

We were built to be rhythmic.

As a group we must make sure we're all in sync with each other. We need to be connected through each other's actions.

For the triangle to really work, everybody needs to be on the same page and know how to play it.

There is no such thing as pressing on your own. You need to know where to stand, and you have to coordinate that with the whole team together.

When I was a kid, we played a jump rope game called double Dutch - where you had to jump over two ropes swinging in opposite directions. Picking just the right moment to jump in was a practiced art form.

Everybody's been blessed with something, and my gift is my timing. Let's face it, it's all about keeping time and having a groove.

It is nice to get reps and to slowly build that timing and chemistry. To be able to do that, you start to get into a rhythm.

It's important for us to all be aligned with the same energy on stage.