Steve Erickson Quotes

Many people have told me that my books read like novels. Perhaps this is because, when I write, I feel I am really there, so strong is my feeling for my subject. On occasion, I have been so moved by the events I have been describing that I have felt like crying.

When we want mood experiences, we go to concerts or museums. When we want meaningful emotional experience, we go to the storyteller.

I think things go wrong when there's not a very specific plan and specific emotional roadmap. You need to know what a scene needs to get across, and what story point that needs to be advanced, whether it's discovering someone for the first time or whether it's seeing a relationship get strained. What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything.

I wish someone had told me that my stories are really mine to tell. In other words, anything that I think is important or that has moved me has the ability to move somebody else.

If you're going to make an emotional connection with somebody, whether it's in the story or in the world, there's a certain amount of self-acceptance that is required.

I think that the best way you can get honesty across in your music to connect and relate to people is to be motivated by personal emotions, stories and feelings.

I just know that when I go onstage, I give everything I have, not only my feet, not only my legs, not only my body. I try to tell a story. Sometimes I am able to cry because I feel like it. Sometimes I am able to love because I feel like it.

You gotta not care about what people think in general about you. I'm not talking about bad stuff, if you're a nasty person, because I don't consider myself a mean person, I consider that I know what i want and I'm tough. But I'm very emotional and un-tough on a lot of levels, I cry very easily, I'm sensitive and I don't think that's a bad thing.

In order to reinvent yourself, you have to dig deep and look at yourself. I'd lost my way creatively, and I was humbled, and so I think I got really basic about wanting to depict people in the ways that I find them amazing and funny and emotional and that I can relate to and do from an instinctive, gut place. People trying to survive ... That's what all my movies are about.

I tend to lose myself in the moment. I’m not very good at holding back. I don’t know how to do this without feeling everything. My emotions are the tool I use to perform.

Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.

[While voicing] you have to create a feeling for what happened before a scene, what's going to happen after a scene, and what you are doing in a scene. You need to use your imagination even more and once your emotions are up, then your voice and expressions will go accordingly.

Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.

There is still a popular fantasy, long since disproved by both psychoanalysis and science, and never believed by any poet or mystic, that it is possible to have a thought without a feeling. It isn’t. When we are objective we are subjective too. When we are neutral we are involved. When we say ‘I think’ we don’t leave our emotions outside the door. To tell someone not to be emotional is to tell them to be dead.

I don't think I ever worry too much about what our target audience is, what we should be releasing. I just write naturally and organically and try to write from the heart.

This is real, this is your life in a song...this is country music.

There's something really emotional about not having any sound. That allows, I think, the audience to participate more actively and kind of imagine what are they talking about there?

You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.

Being true to yourself involves showing and sharing emotion. The spirit that motivates most great storytellers is 'I want you to feel what I feel,' and the effective narrative is designed to make this happen. That's how the information is bound to the experience and rendered unforgettable.

I do all the things that singer-songwriters do. I introduce the songs, I have a story to tell about everything all the time - I cannot be on stage and have something on my mind without telling the audience. I'm super emotional and expressive and vulnerable in that moment.

I don't think nostalgia is very useful to me. There is a story to be told, there's behaviour to create or to bring to the screen that will help tell that story, and nostalgia is just not really a big part of my emotional package.

I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.

I think my music is definitely country but it's got a little bit of that rock flair about it. I always try to find the things that everyday people deal with in their everyday lives and situations in the songs that I sing.

In a letter (no matter how quickly it is written or honestly or freely or lovingly) it is more possible to be loving and lovable, more possible to reach out and to take in ... I feel I have somehow deceived you into thinking this is really a human relationship. It is a letter relationship between humans.

I think the book is less emotional than the film. With the film, the emotions are much more raw and in front. In the book, they are kind of ironized and seen through comedy.