Amitabh Bachchan Quotes

People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.

I don't think the audience always listens to the critics. That's been proven time and time again.

He whose honor is rooted in popular approval must, day by day, anxiously strive, act, and scheme in order to retain his reputation.

Critics can get you critical acclaim - nothing more than that. Success or failure depends on the public.

I don't really think about the critics or the commercial success.

It doesn't matter who you are, how many awards you've won, how popular you are, or how much critical acclaim you've had.

You do something you're really quite proud of, and the public doesn't like it. Then you do something that perhaps you're not at all happy with and the public loves it. And that's the moment of truth, because it's the audience that's the final judge.

You can't please everyone... If you make a good movie, that's all that matters.

Art isn't held with the same high regard as it is after success. In any country, in any language, you're a loser if you're making music until you prove otherwise.

I've learned that you can never predict what will happen to a film. You can never predict if people will love it, if they'll hate it. It's an act of ego if you're hoping for everyone to love the film and tell you how great you are.

I really do hope that the people will like 14:59. The critics seem to like it. We got a lot of good reviews.

Any movie that gets made and ends up in a position where people are coming to talk about it, it's not a small thing.

I don't think 'Cocktail' was a perfect critical success, but it touched a vein in our culture.

I've had lots of commercial success. I've also had some terrible reviews and some wonderful reviews.

Most people know no other way of judging men's worth but by the vogue they are in, or the fortunes they have met with.

The only infallible criterion of wisdom to vulgar minds -- success.

Hits and flops are overrated.

I've sold a lot of records. I've sold, like, 150 million records, and I don't think I've had that many good reviews. It's one of those things that when you're really successful, critics hate you just because you're successful.

For people to keep saying, 'We want to see more of this guy, even though the shows have not always been out-of-the-box successes,' is a huge compliment to me.

If the song makes it and people like it, then I guess that's all that matters, really.

If you do a brilliant work and if the audience don't like it, what's the point.

I'm glad that the audience and critics have liked my work.

It's not about what's a good or bad score at the Oscars, rather what's exposed to the ears more.

By a curious confusion, many modern critics have passed from the proposition that a masterpiece may be unpopular to the other proposition that unless it is unpopular it cannot be a masterpiece.

Each film has its own fate, and you can't go through personal emotions based on the highs and lows of a film.