Kanye West Quotes

Louis Vuitton has a long history with collaborations.

I don't understand what modern clothes are about at all.

I have always worked a bit with fashion people. I worked with Issey Miyake for a while, then Dolce & Gabbana; now we're working with Valentino. It's fine. The fashion world is a fairly weird world, but there are good people in it. It's weird because their timetables are unbearable.

I was getting a lot of editorial, as in lots of pages in 'Vogue,' but it's far more important to get your dresses on the back of a famous person. Charlotte Rampling in Bruce Oldfield. That sells.

There's a lot of shoes that people consider high-end fashion, from Balenciaga to this and that or whatever, and the Pro Models are very similar to me. They're very fashionable to me - the design and the shape of them. I just like them.

I've been introduced to some huge designers that I could never afford. It's really cool.

For so many years fashion was shrouded in mystery, this glamorous profession that people knew very little about, they thought it was so glamorous. It now has become so available, with the Internet, with shops like H&M and Target that do designer collaborations, so it's more available to everyone and that's created more interest.

People are looking more and more to Hollywood for fashion trends: who got dressed in what, and what was on the red carpet. Hollywood is becoming a big advertisement.

I think the idea of mixing luxury and mass-market fashion is very modern, very now - no one wears head-to-toe designer anymore.

I like vintage shopping, but I also like to mix in high-end.

I'm not sure what I think about current fashion, though. A few years ago, I would have said it's really, really bad and you hardly ever see anybody looking good. There must be some very good designers in the world.

I really love Celine. Obviously. Alexander Wang. Givenchy. Those are probably my main favorites. Dolce & Gabbana, too.

Everyone wants to know and hopes I retire so they can get the jobs. But my contracts with Fendi and Chanel are lifelong.

I love Marc Jacobs and what Kim Jones is doing for Dior Homme.

During the 1990s, luxury became something exclusive and elitist. I think fashion got lost. It forgot about craft and culture.

I wear a Chanel backpack most of the time, and my Louis Vuitton Keepall duffel is my go-to carry-on.

The first time I ever came to fashion week, everyone was wearing heels.

I love Karl Lagerfield. Riccardo Tisci - I love his work.

Designer labels, throughout the history of fashion, have maintained an air of exclusivity around themselves. Call it hype, criticize it if you will. But fashion has used this 'exclusive' tag to make itself coveted.

My mom used to work for Coach and Louis Vuitton, in retail. So, I've always been around it. I've always had that connection. Always.

Even though I love fashion and the red carpet dresses are a great, fun, glorious thing, I don't really have my finger on the pulse, as Phryne Fisher does, of the fashion industry.

I grew up in Tennessee. We didn't know what Louis Vuitton was. I had to order all my prom outfits out of catalogs.

Do you think there'd be a Givenchy in the hood if it wasn't for that South Park photo?

When fashion turns over it brings in little tiny creaks and cracks. This is the fascination and that is where you have to watch every step.

What would we say if men changed the length of their trousers every year?