Baron Vaughn Quotes

On 'State of Affairs,' we're going after some names that you wouldn't think would traditionally do TV. A show that shoots in Los Angeles is such a rare bird in hand that I think we're gonna have the pick of the litter.

A TV show is constant work, which is the great thing about it.

I did a pilot for Anything But Love in 1988 that didn't sell.

I don't think anyone who runs a TV show would ever say to you, 'I have a grasp on running a TV show.' Maybe that's not true. Maybe there are people that do. I don't know.

Doing a TV show, you're on an assembly line and it's as cut and dry as that. There are some shows that are exceptions. There are producers that want really special things.

I worked with her on the second season of Dark Angel in Vancouver, one of my first real jobs.

When I was on 'Trauma,' the first order was six, which turned to 12, and then there were rumors of getting cancelled. I'm used to that.

As a television actor, when we work in TV, what we're doing is making a product so that networks can sell ad space.

We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter." We've got to jump ahead and write that stuff that's in Jessica's show. Fortunately, we knew the story, but it was challenging.

The days are long. I'm not complaining, but it's a lot of work doing a single-camera comedy.

The 'Love Island' team are the best in the business.

I started television in 2015.

Working on 'Roadies' has been a fantastic experience.

You can't ever get sick on a soap: we work really long hours, the show is on TV five nights a week, and it's random and chaotic.

It has taken a lot of persuasion for me to take part in an official documentary about 'Only Fools and Horses.' But, as time has gone on, it seems to have been imprinted in television history, and I thought it was only right that I tried to give an accurate insight into how the show was put together.

I actually worked on the pilot of 'The Chase' and wrote the questions on it.

In the end, I was doing night shoots on 'Gilmore Girls' and then wrapping and going straight from 'Gilmore Girls' to 'Roadies.'

Well, we shoot for so long on 'Stranger Things' that I know Atlanta really well.

I've never been in the studio world; TV is as close as I get to the more corporate approach to making entertainment.

Closest to my heart is probably 'Toast of London' because I came up with the character, based on a bunch of people I worked with in the industry. And Channel 4 didn't mess with it. Head to screen, it was exactly as I wanted it.

There are a huge amount of people who sell a TV pilot every year, but most of them never get produced. It's very easy to make a living and never get anything produced.

Well directing TV is very time-consuming, so if you are going to direct TV, a season will take a year out of your life.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

I think HBO and a couple of the other cable channels in America are making some of the best television that's ever been made.

I wound up getting pulled into being a consultant on the Lifetime drama 'For the People.' The executive producer said, 'I want you to write scripts.' We sold pilots to a bunch of different networks.