Jeff Hanneman Quotes

I think when you're making an album, as the songs are piling up, one of the good things about it is that you will often write the song that you need.

I refuse to write the same story twice. I keep experimenting. I keep learning how to work. I've been at it pretty much 50 years, and I'm now beginning to learn how to do the job well.

I'm a performer. That's what I do. That and making money - it's the passion and the care factor for the people that support your passion, the people that support you, it's the kind of people that go crazy and love your stuff.

I want to write and direct, but I don't think if I did it for 100 years I would ever come close to putting something out there that gives a feeling of all-encompassing and joyous.

If I write a new play, my point of view may be profoundly modified. I may be obliged to contradict myself and I may no longer know whether I still think what I think.

I have spent a good many years since―too many, I think―being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all.

I'm making music for music's sake, and I have an audience I'm proud of.

One day when I was studying with Schoenberg, he pointed out the eraser on his pencil and said, 'This end is more important than the other.' After twenty years I learned to write directly in ink.

In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.

I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.

Nothing makes me happier than writing a song that I think is good or that I want to play. Writing songs helps me.

As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.

If you're a playwright, unless you're really lacking in get-up-and-go, you can always get your play up somewhere. You can't necessarily make a living doing it, but theater is about meeting an audience. Plays are not easier to write necessarily, they take less time to write. If you get them up, it's a much more rough-and-tumble kind of existence. I think it's, from my perspective, easier than novel writing.

It's rather mystifying when you think about writing songs - where they come from, and how they're born.

My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.

I want to be happy while I make movies and not just do things just to work. I want to do things I spend years on.

One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.

I think that most of us [writers] would rather have an audience than countless riches. If we wanted to be rich, we'd be doing smething else.

There is something wonderful about singing and writing music, I think there is something special about creativity and the ability humans have in that area.

After every tour, I think about hanging up the touring hat, and after a while of not working, I'm ready to play. I think I enjoy playing music more than I enjoy not playing music.

To write an album takes so much focus and selfish time, to just write and think about your life. For me. Maybe not for other people.

Music has always moved me really deeply, and it's always been more about that than about the desire to rebel or annoy people (although, I've had my moments of that as well). I think it was just years of maybe moving slightly away from it but always coming back to it as the thing that I'm best at.

I find myself absolutely fulfilled when I have written a poem, when I'm writing one. Having written one, then you fall away very rapidly from having been a poet to becoming a sort of poet in rest, which isn't the same thing at all. But I think the actual experience of writing a poem is a magnificent one.

I think we had to push forward to make sure it was different, do something that we had never done before and yet still have the consistency to stay in the same world. This was our chance to do all the things we didn't get a chance to do before. We've been working on these movies [Kung Fu Panda] for twelve years and we have to keep things exciting for us in order for us to devote that many years of our lives to do this.

I've gone a year and not written a song just because I couldn't think of anything. But I always come back to it because there's always that little buzz you get when you do something well and sing it out loud to the public. And people clap and tell you how great you are.