Chris Cornell Quotes

It's nice to be able to backtrack and not be embarrassed by the music you used to listen to.

Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.

After touring with David Bowie last year, I was inspired to look at what I wanted to do as an artist, and I realized I wanted to go back to the music I fell in love with when I was eight years old.

There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.

As you grow older, you learn to appreciate all the artistry. I'm actually on my way back to the blues, you know, that my mothers and fathers liked.

I can put some chords together and maybe write a song, but I'm learning every day. And that's the fun part.

I love "Heartbreaker." "Heartbreaker" stands up for me still. It still works to me. The sentiment is still timely and it just works. But I don't want to do that again. I'm not interested in re-creating that. That was great and I'll just leave it there.

I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.

Loving the process. I learn it over and again and in different ways. I'm speaking particularly to the musical process, but I definitely think that this lesson transcends. Loving the life process. Loving the process of becoming stronger by experiencing something that makes me feel unsteady. The process of speaking and living my truth and making my own path.

I think I've been a bit misunderstood; the first record was more timid than I wanted it to be. I don't like getting pinned down by sex or how I sound like because it's not who I am or what I want to be.

I think everything happens for a reason and all of my choices have led me up to my solo album and made me stronger, not only as an artist but as a person. I want to do more the Black Eyed Peas albums and more of my own albums. I'm in this for the long run.

Because of an off-hand funny comment I made backstage at a concert years ago, a story circulated that the song has been a burden and even that I didn’t sing it for a while. That’s completely false. I am very proud of ‘American Pie’ and the many satellites that grow from it and revolve around it. For many years I carried my songs around and now they carry me around. I have always sung ‘American Pie’ for my audience and would never think of disappointing them since it is they who have given me a wonderful life and untold affection for almost 30 years.

I wanted to do a summary of my life and career. There’s been so many different looks, and so many types of songs that have become iconic, so it was just kind of fun to look back on everything

You think you're developing and getting better and then you see something you did years ago. Looking at your early work.. sometimes it has a depth that surprises you.

I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.

I'm basically in every band I ever was in, and the songs, I still mean them all. I don't take anything back, so I do look after them to some degree. But my main focus is on what I'm doing now.

You don't really think about [career] much, because in a way it seems like another time and a different person.

I love to write songs and sing them, and I didn't really know much more than that. Somehow it's gotten to the point where a friend can say, "It's very you," and that made me feel good.

Pretty much the only goal I've had since the beginning, which I still have, is just to get better, work hard, focus, and everything else will just be a bonus. As long as I'm satisfied, and I think we're getting better with every song compared to the last, then I'm satisfied and that's all I want. If we don't achieve that, then I'll be disappointed.

Destiny's Child was a part of me; I was blessed to even have that experience, but this is me doing my thing and that's all I can do.

You listen to your favorite song just until you're almost getting sick of it, and then it's so fun to rediscover it after a couple of months.

I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.

Into the Music was about the first album where I felt, 'I'm starting here'...the Wavelength thing, I didn't really feel that was me.

I used to have to downplay my sexuality because I wanted to be taken so seriously as a thespian and as an artist and as an actor, so I'd play crack heads and down trotting women and disguise myself, and I think as I've gotten older, I become more comfortable with who I really am and all parts of me knowing that my physical self doesn't diminish me in any way or my talent.

The clean clear colours were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try - all low-toned and dreary with the tree besides the door.' In my next show, 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint. That was my only low-toned dismal-coloured painting.