Bubba Sparxxx Quotes

I think, first of all, every time you want to play somebody who is real is always challenging and always scary, because you are given a responsibility of someone's real life.

I have to believe everything I write is brand new and I'm writing in this way about these people in a completely new situation for the very first time.

I don't think I really invented anybody. I have drawn on real life.

I've hardly had an avant-garde career... If you're going to make a film, you have to try to make sure it comes out of a childlike passion, as if you're doing it for the first time.

On 'Southland,' when a helicopter joins our scene, we don't skip a beat. The actors talk louder because that's what cops do in real life.

If you're entering a room for the first time, do it the way you would in life - look around; see how they have the furniture arranged. If your character is meeting another character for the first time, meet them the way you would in life.

The one thing that TV is bad at doing is preaching. There are two extremes, you either turn the people into a punchline or turn them into hero, and both of those things suck, because most people are neither in real life.

Basically, I think that there are some characters that you can just allow the truth of your character as a human being in your real life to come through.

I mean, I find things that happened in real life to be the funniest - things that you observe instead of crazy abstract things, you know.

We made this really dumb decision to put on the cover nothing from South Park but just a real life photo of a piece of pooh dressed up like Mr. Hankey, and a lot of people didn't, they didn't even know what it was.

I am real, real picky with what I decided to do. I want to make sure it's new and at the same time that it's in the same color of what I have played before. Not to pigeon hole myself but I don't like to do fluff.

I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.

The interesting thing about doing a play is to find a way to make it fresh and do it as though you were doing it for the first time.

It's good to stay as close to real life as you can, and then kind of dress it up.

I was frustrated for a long time with my colleagues in the business school world and with so many management authors who didn't really see themselves as innovators. They were glorified journalists.

To have someone who never makes a mistake, never finds her personal life in disarray, never worries about work-life balance? I think that would be unreal. What I'm writing is real.

The 'Vanity Fair' article was interesting to do because it was the first time I ever really had the opportunity to be absolutely truthful with a reporter about every aspect of my life.

I adopt a very simple approach. I observe and reflect real life and ordinary people and sooner or later that raises a laugh.

I want to try and portray characters that are in real life, that you see day-to-day. If I were to just stay in my little village in Wales, I would have gotten a very small taste of a very big plate.

Everyone should pursue whatever is original in oneself. That's the way for a long life in music.

A great man is the man who does something for the first time.

The challenge in daytime in particular, I think, is to go against all the traditional cliches of daytime and try to make it real.

I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything-but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.

It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?'

One of my life philosophies is that you have a choice to make when you're doing something creative. You can be cheesy... or you can be lame.