Jeff Beck Quotes

I love music, I love all kinds of music, particularly jazz. Jazz is an extension of America. There's no other country in the world that could have produced jazz.

Growing up, I was very much interested in jazz music.

Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.

I grew up around jazz. I love jazz.

You're 25 and you're looking at adults of your parents' age and older saying, "I don't want to live that way," and this is how it happens. It evolves slowly and it's not the result of any movement. It's just young people look at the way their parents are living and if they don't like it they don't want to duplicate it.

At first, because this genre of music was so urban, sometimes we would sing songs that were so aggressive. And my parents didn't like it. They would break my cassettes and say, 'That music is garbage.'

Thelonious Monk was one of the musicians I most connected with early on. I'm a huge Betty Carter fan, and the way that Abbey Lincoln and Shirley Horn grew immensely from the time they were young is so inspirational.

Today, somewhere in America, there's a kid who's got a laptop and a guitar and a couple of his friends he's putting together to play drums and bass, who's gonna change the way we say things, the way that we dress, the way we view things, the music we hear, everything.

Elvis Presley's music said, 'Free your body.' The Beatles said, 'Free your mind.'

Jazz is a part of me.

Charlie Parker is my greatest inspiration as a saxophone player - anything that involves him entails a large amount of respect.

Rock n' roll is over, don't you get it? It lasted 25 years and now gets wiped out. The Sex Pistols were the bullet in the brain. They were the last rock and roll band.

I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.

I don't know whether it was his (Charlie Christian's) melodic lines, his sound or his approach, but I hadn't heard anything like that before. He sounded so good and it sounded so easy, so I bought me a guitar and an amplifier and said now I can't do nothing but play! Really, welding was my talent, I think, but I sort of swished it aside.

In those days before hearing Charlie Parker and Dizzy, and before learning of the so-called bebop era--by the way, I have some thoughts about that word, "bebop"--my first jazz hero ever, jazz improvisor hero, was Lester Young. I was a big "Lester Young-oholic," and all of my buddies were Lester Young-oholics. We'd get together and dissect, analyze, discuss, and listen to Lester Young's solos for hours and hours and hours. He was our god.

I don't know what you wanna describe as Rock 'n' Roll, but I certainly thought that 60s stuff, Bob Dylan and the Beatles, changed the world a little bit. But the effect seems to have retreated. I think it's harder than we think to change the world. These things go in cycles. It doesn't seem to have done an awful lot of good, does it? You know, all the talk of racial harmony and equality in the world... we haven't got a long way since the 60s.

The students [of the 60's] substituted conspicuous compassion for their parents' conspicuous consumption.

Revolution ain't nothing but an extent of evolution; Evolution is a fact of nature. So when old folks tell me that they don't understand hip hop and the music is too loud, well I guess it means you're not supposed to be in there.

Isn't it our job to be appalled by our parents? Isn't it every generation's duty to be dismayed by the previous generation? And to assert that we are different - only to discover later that we are distressingly the same?

I remember when A love Supreme was released - I heard it at a friends house. ... Man it was incredible. That record sounded different than the rest. I was trying to gather my spirituality together, trying to get an understanding of life ..... I felt Coltrane was the first musician who made a transition from one side to the other.

The kids are interested in the music of them. They're not interested in mop-tops and Beatle boots and crazy suits. It's all down to the music now - that's what they hear, and that's what they love.

Man, you'd be surprised how much I'm learning - not only about myself, but about the musicians who came before me. You don't realize at first when you listen to Armstrong's records how great this man was and how hard that Hot Five music was to play. After the experience of reading and playing those parts, I have an even greater respect for Louis Armstrong than before

Remember when you used to watch TV in the Sixties and you'd see Perry Como in a cashmere sweater? That's what rock 'n' roll is becoming. It's your parents' music.

On that same tour we ran into a band at Aylesbury Friars, a biggish venue in Oxfordshire, England. They were a four-piece from Ireland called U2. They seemed like nice fellows and they sounded pretty good, but we didn’t keep in touch. They’re probably taxi drivers and accountants by now.

Rock and roll is catching on all over . . . France . . . England . . . They even have it in Japan, only over there they call it judo.