Richard Ford Quotes

I spend about a year between novels.

I'm always working on my next novel, even when I'm not.

It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book.

When I first wanted to be a writer, I learned to write prose by reading poetry.

Usually I get up early every morning and from 6:00 to 10:00 I write. The rest of the time I study and prepare my work or I do other things. But four hours a day are exclusively devoted to writing.

I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.

My advice to would-be young authors is to read a lot, write a lot, and not worry about creating a finished product. Keeping a journal is not a bad idea either.

I think most writers have to have a practice of writing. For me it is very early in the morning. I try to make it a separate world from the rest of my life.

If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.

I try to write in the morning when I'm working on a novel. You get up, you have breakfast, you read the paper, you make a couple of phone calls, and then you sit on the couch and start. I use felt pen and white notepaper.

Every few weeks she would shut herself up in her room, put on her scribbling suit, and fall into a vortex, as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace.

Reading is the creative center of a writer's life." -

The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.

People imagine that there are rituals, like lighting candles or sacrificing chickens. They really just want to know what the magic formula is for writing. I inevitably disappoint them by saying you just put your butt in the chair, and you write 500 words a day, and then you get up and repeat it the next morning.

I write in the morning - and then I'm always experimenting and tasting recipes for the books.

For any writers at all, read everything you can and then put your butt in the chair and write. That's all there is to it.

I write every day. I don't have a writing schedule. I write when I feel like it. Fortunately, I feel like it all the time. I am writing for hours. I do like to write in the morning. I start after breakfast, like 9 o'clock, and I'll write till lunch, about 1. And after lunch, I just have fun.

I write in the morning, I walk in the afternoon and I read in the evening. It's a very easy, lovely life.

While writing a novel, I don't read anything new in fiction. I am too engrossed.

'For Whom the Bell Tolls' was a problem which I carried on each day. I knew what was going to happen in principle. But I invented what happened each day I wrote.

I write about five thousand words a day, when working on a book, about three thousand a day if I'm writing a short story. I take long periods off between projects, when I read a lot, garden, and think about the next book or stories.

I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.

When I'm writing a novel, which is what I like to write, I get up early, sit zazen, make a pot of green tea. I wear wrist cuffs to keep my wrists warm and minimize irritation from extended contact with the surface of my desk. I sit down and write.

I get up around 8 o'clock, which gives me enough time to walk dogs and feed chickens and horses. Then I get to work in my home office upstairs, and basically, I don't stop until I've written 2,000 words and/or the Stephen Colbert show is over.

Generally, I like to write in the morning before all the dust of dreams has blown away. Beforehand, I read two papers, cook my breakfast and then settle down in front of the word processor, usually by 8 A.M. I'll write, and then check e-mail or voicemail when things stall.