Scott Storch Quotes

Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.

Usually, when you go in to make a record, you have 30 songs, and you record 30 of them, and 12 of them make it to the record.

I feel like Turbo helped me grow. It's the way we just lock in. His mind is set to where he'll start making beats to my flow and my sound. He's not an engineer, but he knows how to record.

From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.

Me and Thugger could make nine songs in a day and then choose which songs we like the most and think is gonna do something. With other people, it's like, we pick one song, and we hope it's the one.

You get the beats. You write to them. You go in the studio and lay it down. Hopefully, a song comes out sounding good. If it comes out sounding good, you put it to the side with the rest of the other good ones, and you try to decide which ones you're gonna use on the album.

You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.

I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.

I've had a couple of guys that I've had co-produce records with me through my career, and it's fun to work with a co-producer.

Everything I make as a producer, I visualize it as a DJ first. And all those beats, I test them as a DJ.

I know what it takes to put a record together, so I'm not looking for people to come in and shape it.

I've always had a lot of creative impact on the music with Timbaland.

I like working with other people but I'm not a songwriter, I'm a producer.

If anyone asks me about the George Martin years I usually say I group all of that stuff together as the single greatest experience but I wasn't scared I was just really looking forward to it.

You know, what a producer does is one of the great mysteries in life, so anyone can be one.

Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.

I can't stand making records.

I guess my job has always been to build the music, direct the videos, to do all the things that usually fall behind the scenes.

With '5 Boroughs,' we were each working on beats, sitting in front of our laptops and samplers.

I'm a studio rat.

To me, I don't care if I co-write or if I write alone. If it's a great song and it makes it to the record, then that's what is supposed to come, you know what I mean.

When I'm in a session with an artist, my job is to help execute their vision - so it's whatever story they're telling, and the news doesn't specifically affect that.

'Trouble Maker' was a project that worked whenever a song that fit the concept came in.

A lot of people have been sending me beats, I've just been getting it in.

I've been working with a lot of different producers.