Jesmyn Ward Quotes

I'm just writing about people. People are dark and complicated. I'm trying to tell the truth; that's all that I do.

The social scientist is in a difficult, if not impossible position. On the one hand there is the temptation to see all of society as one's autobiography writ large, surely not the path to general truth. On the other hand, there is the attempt to be general and objective by pretending that one knows nothing about the experience of being human, forcing the investigator to pretend that people usually know and tell the truth about important issues, when we all know from our own lives how impossible that is.

Like snowflakes, the human pattern is never cast twice. We are uncommonly and marvelously intricate in thought and action, our problems are most complex and, too often, silently borne.

I was not interested in doing the plot of Oedipus in blackface. I did wonder, what would these people have been like if they hadn't been in that situation?... One could look at Oedipus, or at my character Augustus, as a cynical schemer who did everything because he was hungry for power. But that's just too easy. I'm more interested in how humans can embody conflicting goals and emotions.

I think to the degree writers are serious, there is a greater tendency for them to write to themselves, because they're trying to compose their own thoughts. They are trying to find out what is in their minds, which is the great mystery. Finding out who you are, what is in your head, and what kind of companion you are to yourself in the course of life. I do think people have very profound lives of which they say virtually nothing.

It was actually fun to write [memoir], because I went back to interview people my parents had taught or who had worked with them, and I learned a lot about them that I hadn't known.

I'm not a critic so much of my own writing. People must make up their own minds over that.

Let the things that happen on the stage be just as complex and yet just as simple as they are in life. For instance, people are having a meal, just having a meal, but at the same time their happiness is being created, or their lives are being smashed up.

The proper ending for any story about people it seems to me, since life is now a polymer in which the Earth is wrapped so tightly, should be the same abbreviation, which I now write large because I feel like it, which is this one: ETC.

One of the many lessons I hope I've learned is how much I underestimated people, their open-mindedness and their willingness to understand. I think, moreover, I underestimated the degree to which everyone has a story. So my advice, for whatever it's worth, is to trust readers, trust the truth and trust the power of storytelling.

Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

I love writing. I like reading, other people, not myself.

People are complicated. Personally I don't go in for puritanical people.

What I love about writing is the contradictions we all embody as human beings.

What I write is emotionally honest and truthful as the human experience can be, to make people feel less alone, or at least that's the hope.

When I pick a story, I'm very much aware of the larger issues that it's illuminating. But one of the things that I, as a writer, feel strongly about is that nobody is representative. That's just narrative nonsense. People may be part of a larger story or structure or institution, but they're still people. Making them representative loses sight of that. Which is why a lot of writing about low-income people makes them into saints, perfect in their suffering.

Then a person has only one tale?” No, some have two or three separate ones or more,” Fleet said. “Some people have many tales. Sometimes they are linked into one big tale, sometimes they are utterly distinct. Most people do not have one at all.

Being human is difficult. Some people make it more difficult than others. I was one of those people.

With my own memoirs, they are truthful, and I write everything fully expecting to some day end up televised on Court TV, and I'm fully prepared to be challenged legally on it. Everything I write is the truth and I know that I would win.

Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.

Write about the truth. If you write about the truth, somebody's living that. Not just somebody, there's a lot of people.

He reflected. 'I know a lot of different kids of people; what I want is to show each of them how the others really are. You hear so many lies!

Good writing is remembering detail. Most people want to forget. Don't forget things that were painful or embarrassing or silly. Turn them into a story that tells the truth.

Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.

There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.