Fran Lebowitz Quotes

I have been photographing people dancing for 20 or 30 years now, and I think I will eventually do a book of dancing photos.

I could not believe that anyone who has read this book would be so foolish as to proclaim that the Bible in every literal word was the divinely inspired, inerrant word of God. Have these people simply not read the text? Are they hopelessly misinformed? Is there a different Bible? Are they blinded by a combination of ego needs and naïveté?

I've read the Bible. I think the Bible's a great book, but it's a novel. It's beautifully written and la-di-da, but people really took it the wrong way.

I may have a general broad-based idea of what I want to write about when I sit down to write a book, but I don't have any idea of what it's going to say. I would call my experience of creativity 'inspired by God' to produce certain pieces of information that might be useful to others.

God is going to reveal to us things He never revealed before if we put our hands in His. No books ever go into my laboratory. The thing I am to do and the way of doing it are revealed to me. I never have to grope for methods. The method is revealed to me the moment I am inspired to create something new. Without God to draw aside the curtain I would be helpless.

A book begins as a private excitement of the mind.

People can relate to reading a book for the first time and the world starts to create, even without you prepping for it.

I posted chapters online and let people give feedback, and I was surprised at how much of that feedback I actually used for the book.I posted chapters online and let people give feedback, and I was surprised at how much of that feedback I actually used for the book. It was a different process for me, but I liked it.

Creative people have to be fed from the divine source. I have to get fed. I had to get filled up in order to pour out.

Artists like to talk about what they do with people who've read their books, or seen their films.

The Bible became the book of books, but it is not one document. It is a mystical library of interwoven texts by unknown authors who wrote and edited at different times with widely divergent aims. This sacred work of so many epochs and so many hands contains some facts of provable history, some stories of unprovable myth, some poetry of soaring beauty, and many passages of unintelligible, perhaps coded, perhaps simply mistranslated, mystery. Most of it is written not to recount events but to promote a higher truth—the relationship of one people and their God.

In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.

Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.

I write the books that I'm compelled to and I definitely learn things about the world when I write them, and I hope that other people get something out of them, enjoy them, see the world differently when they're done.

You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.

Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.

The Bible defines almost nothing because it isn't a book for scholars and philosophers or free thinkers. It's a book for people who want help. It's primarily a book for pastors. They're the ones that can use it in a way so that it actually achieves its purpose.

To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.

God makes trees, he doesn't write books.

Children notice things first, people later.

Whether it's films or painting or music or writing a book, the greatest experience is being able to express yourself and what you've gone through, trying to figure out a way to make it into something that's artistic that people can connect with.

The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.

How hard would it be to ask children what they see in their heads? How big should the house be in comparison to the family standing in front of it? What is it about the anatomy of the people that doesn't look right? Then let them try it again. Teach them to learn how to see and ask questions.

Throughout my career I've struggled to encourage people to read my books on a more metaphorical level. I'm less attached to my settings than, for example, Saul Bellow. The setting of a novel for me is just a part of the technique. I choose it at the end.

That of all the several ways of beginning a book which are now in practice throughout the known world, I am confident my own way of doing it is the bst-- I'm sure it is the most religious-- for I begin with writing the first sentence-- and trusting to Almighty God for the second.