Kit Harington Quotes

I'd seen a play of 'Richard III' in Coventry when I was 15, which sowed the seeds that you could act for a living.

I actually acted onstage before I'd ever seen a live performance, and I loved it.

For me, being onstage for an hour and a half, my confidence was really huge for me. Doing eight shows a week for a run, I was like: "I'm actually doing this." And now I feel more confident going into something.

I think the moment I discovered I definitely wanted to act was when I saw a play alone by myself when I was fourteen. Maybe it was a Moliere play? I discovered the atmosphere of the theater, and I knew I wanted to be an actor.

I discovered that I wanted to be an actor back when I did my first play in junior high. I've been doing theater in junior high and high school, and I just kept feeding the fire, kept wanting to pursue acting full-on.

I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.

When I doing dinner theater in high school, I was talking to a woman who had been in the business for a while and I said I want to act, that's all I want to do with my life and she said if you're serious then you need to hone every discipline you can.

I don't think there's been any writer like Samuel Beckett. He's unique. He was a most charming man and I used to send him my plays.

Film actors reach a certain level, but they don't get beyond it unless they work in the theater.

I started in musicals. My first professional experience was Dorothy in 'The Wizard of Oz' in Palm Springs.

I always assumed I'd spend my life happily performing in artsy-fartsy little theaters.

If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience. If I had to choose, it would be theater and doing the occasional movie once in a while, and spending time doing nothing.

In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.

Tragedy without comedy is melodrama, and comedy without a higher purpose is vacant.

I had accidentally gotten a laugh on a line in a play I was in during high school. I got hooked, but I had no idea I would ever be able to support myself by acting. I knew no one in the business. I was from the Midwest. No one within a radius of a thousand miles was doing anything like that.

When I was ten, I did a play at the Henry Street Settlement Playhouse, Charles Fuller's first play. He went on to write 'A Soldier's Story,' among other things. I realized, 'Oh, I can be anything doing this.'

The first play I did was a funny one called 'The School for Wives', by Moliere. We were wearing the ugliest wigs and the worst costumes you can ever imagine to try to recreate 17th-century France in Singapore. But I got my first real pay cheque from that. I was very happy taking that cheque to the bank.

'Miss Saigon' was my first professional show. It was one of the first regional productions of 'Miss Saigon.'

Before I did any television or film, I did years and years of theater. Television and film stuff, even though it went on for a good, healthy number of years, almost felt like a diversion from theater.

I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'

I had already played a lead on Broadway before I ever did a film. I had had three, four seasons of stock with good, fat parts, good supporting and leading parts. And I had done, oh, God, over 400 live TV shows.

My goal was always to get better roles, and in my case, performing on stage really led to great opportunities. My breakthrough came when I did Calder Willingham's 'End as a Man' on stage and was spotted by Max Arnow, who'd been the casting chief for Columbia.

My first live performance was the lead in 'Peter Pan.'

I went to anything that was on at the Lyceum in Edinburgh. I was quite geeky. There was a production of 'Look Back in Anger' with David Tennant and Kelly Reilly in it, and it blew me away. I still think about it and look back on it as the moment where I decided, 'I want to do that.'

Samuel Beckett. He is a kind of hero for me.