Coco Martin Quotes

There is no difficult moment working together because when we start a new project, Dante starts to make all the sketches and I can see the vision of the movie and then I start my job.

Sometimes two artists wanna work together, but it doesn't mean it's gonna happen, because you have to find the right idea.

Because I work in television, I always knew that I loved working with writers. It's very collaborative. You're always in a room full of writers.

Before I ever put anything on paper, Jerry and I would talk back and forth.

I like to collaborate on my music. The creative process is fun, and you get a lot of ideas from having discussions about it. Ultimately, the final decision is mine.

I do a lot of brainstorming with my editors.

I enjoyed working with Vikram Kumar, as he is an amazing director who is full of ideas, and he tells me that he has different compartments in his brain in which he places different story ideas and works on them simultaneously.

Being able to chuck ideas around and bounce ideas off each other with anyone I'm working with is just something I love to do, that's how most of these ideas are formed.

We finished 'Spaceman,' and before we were even done with that, we had already been talking about what we were going to do next.

A lot of my creative ideas begin in the pub, talking through possibilities with collaborators.

A film is not something that can be made over the phone or Skype. Creative people meet, spend time together, and then come up with something.

Two people making a beat is really like one person making a beat. But you have another person's brain. So what might sound good to you, they could flip it a different way. It's really a collaborative effort, really.

I'm not a craftsman of graphics or art or film. I'm more of an idea generator and manufacturer.

You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it.

I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'

I write by myself initially. That's the way I've always written, just working on pure thought by myself. Then I bring it to the table with whoever I'm collaborating with.

In our office, we have a whiteboard with all of our ideas and things we want to write on it - great ideas we have that we haven't had the time to get around to yet.

Eric Bryant and Ethan Berlin, the creators of 'Bunk,' asked me to come get involved in very early process when they wanted to make a game show.

But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.

Working at Pixar you learn the really honest, hard way of making a great movie, which is to surround yourself with people who are much smarter than you, much more talented than you, and incite constructive criticism; you'll get a much better movie out of it.

I have a producing partner named Stephen Hamel, and we've been trying to generate material.

Television is much more collaborative in many ways than prose.

I keep a creative group around me.

That's the nice thing about collaborating with someone: Your work becomes a conversation.

I believe everything creative is somewhat collaborative.