Kaya Scodelario Quotes

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

I used to dance a lot when I was younger. And I didn't want to stop doing it. I auditioned for drama school and then, luckily, I got my first job. There was never really a particular moment, more like moments of "I love this," or scripts that you read, or films that you watch, or plays that you see, that make you want to keep doing it.

That's what I really focused on in school - straight drama - and I would love to get an opportunity to do that.

I left drama school and went straight into a 10-week film for which I was paid £75 I might say, which for 1962 was one heck of a lot of money.

The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.

Acting has been my passion from the minute I started. I was pretty young when I wanted to be a doctor, but when I started doing theater work as a freshman in high school, the first time I hit the stage I was like, If I can do this every day, life won't get any better!

I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.

You don't have to necessarily go down the drama school route, or have connections in the industry. You can just make it.

I had interest in acting. I started as a drama major in college. I got to school and said, "What am I going to do with this?" But I didn't know anybody in the business, and it seemed like - I don't know. I had a teacher who said "Less than 1 percent of you will ever make a living being an actor." That was how we opened the semester.

From university, I tried to get into the profession almost immediately, and just got kind of kicked back in London, by lots of people saying, "Well, you know, we'll need to see you in something. And the easiest way for you to get seen in something is drama school. That is the best way to get an agent."

There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.

I knew I wanted to go to college and I wanted to study it acting, so I just looked for the best school that I could get into. Luckily, I had very supportive parents. I went to a conservatory that is basically drama school. You take one English class and one history class for four years but you don't take any other science or anything like that. It's strictly, from 7am until night, all acting. It's a lot. Some people find it too much, but for me I was preparing for a career and I never really looked back.

I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.

I never went to drama school, so that was more like I was getting away with it.

There are a lot of great young actors coming out of England who have maybe not gone to drama school, but I wish I had.

Money or no money, acting is my calling.

The drama school was in Oxford - and it's funny to think of it, but in those days when I started out the University was nearly all male. And they certainly weren't mixed.

I got into acting because I wanted to act and I love acting. That's my true north: to be creative and to be challenged in what I love to do.

One of the things you learn at drama school is not to play the result, but just to play the moment.

I can't imagine myself not being an actor.

I don't think RADA wanted me, actually. When I was at Oxford I had a boyfriend at Central [School of Speech and Drama] and it looked like the most fantastic life, but I think not going makes you more free. Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.

Everything about acting drives me and gives me the need to really try it. It's an evolution - doing the same thing for 12 years is kind of a chunk. Anyone would be up for a little bit of a change. It is so rewarding to do a movie, and so enjoyable. It's hard work, but really wonderful.

When I was a kid, I wanted to be an actor. I was acting in all the school plays. I went to school for acting. I was really sure that that's what I wanted to do.

The acting I got into by doing what we call pantomime, when I was sixteen. And, there were loads of very pretty girls in the show. I realized; I found out very early on, that the lead comic gets the girl. So, that was cool. When I went to university, I studied Economic Social History. And drama. That kind of got me into it. My main passion was to make films. It was never to be an actor. At that time, there weren't many opportunities for a working class Scottish actor. It was kind of an English thing. And it required a certain mannered cerebral acting style that I couldn't relate to.

I've been acting for years and years, at prep school - school plays, that kind of thing. That was always very high on my agenda. I went to study English for two reasons. Principally because when I was in university, studying drama wasn't considered an option. You couldn't get a degree course for it. And so many plays and things that I was interested in landed themselves in a broader spectrum of literature.