Nat King Cole Quotes

I started recording the album four years ago. It was very different then - totally rock and roll.

My first two records were more energetic; Phantom Moon is subtle, quiet; so these various reactions are just something I expected.

With Free, we had phased out all of the blues material and wanted to phase in all original material, and the only song that stayed from our blues past was 'The Hunter' by Albert King. People just loved that. And I said, 'We have to write a song that will top that - otherwise, what are we doing here?' That was the birth of 'All Right Now.'

I started singing to this one John Legend record; it was called 'Each Day Gets Better,' or something like that. I started to realize, 'Wow, I really sound like this dude. If I keep doing this, maybe I can sound dope like John Legend and still rap.'

The music I used to make was a lot more rock, so I come from this background of head banging a lot, and it took me a while to figure out how to do it in the context of our music.

The way I was singing the songs was jazz

I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.

The songs started as a soundscapes, and then came the words and music; each song took at least a year to make.

I wasn't a kid when I came out. Soulja Boy was 16. I'm saying that when he came out he was a kid so it was naturally a show for him. It's not about the music right away. It's a show for him. Not that he's not putting enough effort into his music, but how much effort can a 16 year old put into his music because as you mature and get older even the songs he's doing now has evolved and he's looking back.

When I was about 13 or 14. I was in a Kingston Trio type group. We evolved into the New Breed. Our first song on the radio was "Green Eyed Woman," not to be confused with "Green Eyed Lady".

It's difficult to see how it's possible to become immensely valuable by singing what are the most hideous songs.

The more years you put behind you, hopefully making music that surpasses what you did before, you're playing bigger places and it kind of weirdly becomes a business.

I still love the music and it's still plays a part in what I do but I never 'turned my back' on garage. I was always doing R&B with, say, Walking Away. It's wonderful that I was classed as the king of 2-step and a pioneer, but it's had its turn, I think.

Some of the songs have a tinge more pop this time. I wanted to go into different worlds.

Don't sing a song you can't carry off, like some 16-year-old kid singing 'My Way'. That song's not for you. You haven't lived that.

I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.

Music is never stationary; successive forms and styles are only like so many resting-places - like tents pitched and taken down again on the road to the Ideal.

I'd hear some beautiful Sade or Kings Of Convenience ballad remixed in a club and I liked that these simple little songs seemed to be masquerading. They had put on superhero costumes, got all beefy, and here they were on the dancefloor. I was interested in that. I can't make electronic beats, so I leave it to the pros like Boys Noize and Chromeo.

When the fad changed from folk to rock, they didn't take along any good writers.

I started writing songs in high school and always wanted to have a band, and eventually my creative endeavors developed into Theocracy. So in some ways, you could say the vision has been there since I started writing songs.

It's one of the craziest feelings to be on stage and know that you were sitting on your bedroom floor when that song came to be and now there's an arena full of people singing it.

You definitely get more of a band feel to a song if you've been playing a song live a bunch.

When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.

I began to go to concerts when I was 12 years old. And I would stand there, the small imp that I was, and I would expect the world to be laid before me by these artists, and in some cases it was. So when I climbed onto the stage, I always imagined that I was singing to somebody who was similar to how I had been.

So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent...and right when your song ended, I knew - just like your mother - I was a goner.