Jorge Luis Borges Quotes

To me, it's like the difference between a pen and a paintbrush. Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from. Nobody really does. It sort of arrives when it wants to.

Writing is the starting point from which all goodness (and crappiness) flows.

I've described my usual writing process as scrambling from peak to peak on inspiration through foggy valleys of despised logic. Inspiration is better when you can get it.

Part of my function as a writer is to dream awake. And that usually happens. If I sit down to write in the morning, in the beginning of that writing session and the ending of that session, I'm aware that I'm writing. I'm aware of my surroundings. It's like shallow sleep on both ends, when you go to bed and when you wake up. But in the middle, the world is gone and I'm able to see better.

You write something and there’s no reality to it. You can’t inject it with any kind of reality. You have to be patient and keep going, and then, one day, you can feel something signaling to you from the innermost recesses. Like a little person trapped under the rubble of an earthquake. And very, very, very slowly you find your way toward the little bit of living impulse.

I don't drive, so one of my assistants drives me to my writing room, and I have a calendar on the wall telling me how much time I have left, and how far behind I am. I look at it and panic, and decide which scene to work on. And you sit there plonking notes until something makes sense, and you don't think about it any more. Good tunes come when you're not thinking about it.

When I sit down to write, I just let the goose out of the bottle.

At night I can write for hours.

I sometimes don't try to invent something. I wait for some kind of a direction - and it happens. I get an angle, for instance, and it just appears, and I say, 'Oh my God - that's it!'

Ideas aren't magical; the only tricky part is holding on to one long enough to get it written down.

I don't believe in writer's block.

The poet doesn't invent. He listens.

My best songs come from a place outside myself.

Something people say about acting is that acting is listening. But I think that writing is listening, too. That you really have to listen to what are they saying and what they're communicating to you. And so, a lot of it is just getting stuff down.

If I find out I have to write today and nothing else, that’s a perfect day. I know a lot of people who are great at it and make it look easy who are tortured and miserable people. Writing for me is perfect peace.

Sometimes I think creativity is magic; it's not a matter of finding an idea, but allowing the idea to find you.

I'm a bit like a sponge. When I'm not writing I absorb life like water. When I write I squeeze the sponge a little - and out comes, not water but ink.

All I'm doing is writing it down and putting it in a cadence. Once I get into a cadence, then why should I even stop and wonder what it is? You can do that for the rest of your life, but when it's coming out, you don't want to stop it.

When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.

Teaching well draws from the same well that writing draws from: the reserves of compassion and ability to listen and concentrate on another. So I have to have fine line between teaching and writing. I try not to ever think of career. I just try to go to the dream world every day.

If I knew what the picture was going to be like I wouldn’t make it. It was almost like it was made already – the challenge is more about trying to make what you can’t think of.

If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic.

I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.

It's not my brain that's writing the book, it's these hands of mine.

If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic....Authors arrive at text and subtext in thousands of ways, learning each time they begin anew how to recognize a valuable idea and how to reader the texture that accompanies, reveals or displays it to its best advantage.