Milla Jovovich Quotes

I play a crazy talk-show host, but that's not me. It's like an actor playing a role.

I was on 'The Shield,' which I was a fan of.

I'm happy when people come up and say how they feel about what your character went through, you know, I went through and it's helping me deal with it. I get to see the movie through the audience's eyes and that's really gratifying.

I certainly don' think I could've played the character [Idi Amin] the same way without being in Uganda. I loved working in Uganda.

I've played my fair share of unpleasant character, and I have to tell you that you sleep better when you're playing fun characters. You think you don't take it home with you, at the end of the filming day, but subconsciously, there's something floating around in the background there.

The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.

When somebody is talking to you about something terrible on set with lines, and you believe what he says, sometimes it gives a strange vibe, because you wonder when that person is talking if he's talking about something that really happened to him and he's using the character.

I really am a character actor, in my heart of hearts, because I really do like developing characters and painting a past for them.

But when I got to SMU and decided to take a playwriting class, I said this isn't a bad idea. IfI write characters, they could be as dumb as me, and I don't have to be very smart.

You never know when you're on a show if you're actually going to love it. For the episodes that I'm not in, I read them, but I try to just forget it, as long as it isn't important to my character. That way when the episodes air I get to watch it like a fan and actually enjoy it.

You end up loving every character that you play but a lot of the people I've played, I should just say for myself, I played, I wouldn't necessarily want to continue playing them. I've done them. It's like going on a trip. You go, you're amazed, you're glad you're there but you're glad to get home. And that's how I feel most of the time.

Tom [Cruise] is a great producer himself. He's got great sense of story. It's always great to have the perspective of the person who's playing the character in your film.

I was just so honored to play the role of Cinderella and to just be the first African-American princess, that's just historic for me, that's such a mark in my life and my career and then the bonus of just working with my favorite person in the whole world, Whitney [Houston], like her voice just did something to my spirit.

They always say, doing what I do for a living, write what you know and then people will respond to it. I luckily had a very charming, lovable mom who I think everybody could see bits and pieces of their mom in. All I had to do was write a character that was like my mom, and it made my life easier.

Woe betide him, and her too, when it comes to things of consequence, when they are placed in circumstances requiring fortitude and strength of mind, if she have not resolution enough to resist idle interference ... It is the worst evil of too yielding and indecisive a character, that no influence over it can be depended on. You are never sure of a good impression being durable; everybody may sway it. Let those who would be happy be firm.

Your character that you create in your writing not only represents who you are, but also represents a number of people who you've met along the way.

Over the years I have forged intimate familial ties with these characters, who are reflections of a portion of myself. Consequently, even a character who appeared only once in a short story waits now in the wings, concealed by the curtain, for his next appearance on-stage. Not one of them has ever broken free of his familial ties with me and disappeared for ever - at least, not within the confines of my heart.

'Fringe' is essentially a love story, so the scenes where Walter had close connection with Peter, but also with Anna's character or Jasika's character, were very special to me.

As a director, you have a thousand things going on in your head, and of course, that's going to be difficult. That's going to mean that some things get overlooked. And so, for us as performers, being the selfish pricks that we are, we're sitting there being concerned about ourselves all the time and our character's through-line.

As we have come to understand the psychology of evil, we have realized that such transformations of human character are not as rare as we would like to believe. Historical inquiry and behavioral science have demonstrated the "banality of evil" -- that is, under certain conditions and social pressures, ordinary people can commit acts that would otherwise be unthinkable.

That is the dream of all novelists-that one of their characters will become 'somebody.'

As an actor, you have to be able to take all sides as well. You have to at least be able to understand things. No bad guy looks in the mirror every morning and says, boy, I'm gonna be a real bad guy this morning. He goes after his own what he's after, just like us good guys. You kind of have to take a stand and, a lot of times, you have to take the writer's stand or the stand of the character this writer has created.

For never, never, wicked man was wise.

I'm not a leading man. I'm a character actor. That's what I want to be.

Beware 'good' main characters who have a limited repertory of culturally acceptable feelings, while your evil bastards have a full range of vivid, passionate feelings.