Wolfgang Tillmans Quotes

Photography has become so fundamental to the way we see that 'photography' and 'seeing' are becoming more and more synonymous. The ubiquity of photography is, perhaps ironically, a challenge to curators, practitioners, and critics.

These young people naturally grow up with ideas different from ours, for they are born for times when we shall no longer be here

I am 32-years-old, and diversity is working for me. I see a lot of change. You can't deny the revolution that is happening about body sizes. With social media and everything, everyone can get their voice out more. It puts a lot of pressure on the industry to do, give more spaces to different ethnicities or ages or sizes. I do feel like the change is happening. It might have just started, but I believe it's not going to end. It's just the beginning.

It's funny, everywhere I go some people ask me whether it's going to be a Latino breakthrough, some people ask me whether it's going to be a female breakthrough, and then I'm reminded that five years ago we didn't even know Barack Obama's name.

The consumer culture in general has washed over our civilization. For the last 50 years, if you've had a credit card and some access to money, you don't really need neighbors around you. And as a result, they dwindled. The average American has half as many close friends as they did in 1950. Three quarters of Americans don't know their next-door neighbor. They may know their name, but they have no real relationship with them. That's an utterly new place for human beings to find themselves in - I mean, we're a socially evolved primate.

My music is not for everyone. It's only for the stong-willed, the [street] soldiers music. It's not like party music- I mean, you could gig to it, but it's spiritual. My musi is spiritual. It's like Negro spiituals, except for the fact that I'm not saying 'We shall Overcome.' I'm saying that we are overcome.

I think perhaps it is a generational thing. I talk to younger people and they say, Where is this melancholy city you talk about My Istanbul is a sunny place.

What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime.

When I was a teenager, the way some of these kids out here be actively gay, it would have been ridiculed in the hood. And now the hood is a bit more accepting. Begrudgingly accepting, but definitely more accepting than 20 years ago when I was a little kid. That doesn't mean that anybody should stop fighting for equality just because people are begrudgingly a little more accepting.

In France, for instance, I'm told that marriage is now frequently contracted in seven-year terms where either party may move on when their term is up. How shallow and how different from the Europe of the past.

I don't really remember the day when I stood behind my camera with Henry Kissinger on the other side. I am sure he doesn't remember it either. But this photograph is here now to prove that no amount of kindness on my part could make this photograph mean exactly what he.. or even I.. wanted it to mean. It's a reminder of the wonder and terror that is a photograph.

I'm really excited that the fashion industry is evolving, doing a much better job at representation, with women of color, women of different shapes, sizes, and creeds. It's been a long time coming... There were issues of tokenism, issues of misrepresentation. I'm optimistic that I see the change, the conversation that these archetypes gotta go. We can be very political and have long weaves down to our asses.

The time is come when women must do something more than the "domestic hearth," which means nursing the infants, keeping a pretty house, having a good dinner and an entertaining party.

The term 'popular culture' always used to mean what the people do - pop songs, folk songs, music in general used to live because people would sing these songs and tell these stories together. Then all of these new technologies came out and it became the work of professionals.

each generation has something different at which they are all looking.

I try with my pictures to raise a question, to provoke a debate, so that we can discuss problems together and come up with solutions.

I want to see women onscreen the way I see them in society.

By furnishing this already crowded world with a duplicate one of images, photography makes us feel that the world is more available than it really is.

Whenever there's a new music, there's a new way of listening. And whenever there's a new way of listening, there are new musics that follow from that. And people start listening differently - that can either mean in different places or at different volumes or in different social groups or through different technologies.

I think probably something big can be done with cameras, I'm not saying, er, I'm saying chemical photography's finished, that means you can't have a Cartier Bresson again, you need never believe pictures.

[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.

Same-sex marriage is so ingrained in the culture now that when you're talking about regular, good old-fashioned marriage, you have to say "opposite-sex marriage" to let people know what you're talking about. Just describing, just talking about "marriage" doesn't let anybody know what you mean anymore. You have to specify opposite-sex marriage.

Naturally, grown-up citizens are concerned about the beatniks and delinquents. ... The question is why the grownups do not, more soberly, draw the same conclusions as the youth. Or, since no doubt many people are quite clear about the connection that the structure of society that has becoming increasingly dominant in our country is disastrous to the growth of excellence and manliness, why don't more people speak up and say so?

A generation earlier, I think that somebody from my background probably would not have felt fully comfortable at a college like Princeton. But, by the time I graduated from high school, things had changed.

I'M HOPEFUL, because I know that while we still have race issues in America, we enjoy a much different normal than those of our parents and grandparents. I see it in my personal relationships with teammates, friends and mentors. And it's a beautiful thing.