G. M. Trevelyan Quotes

Easy reading requires hard writing.

Of one thing the reader can be certain: the more easily anything reads, the harder it has been to write.

Nathaniel Hawthorne once said that easy reading is damn hard writing.

If you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse. Lighthouses dont go running all over an island looking for boats to save; they just stand there shining.

I shall always feel respect for every one who has written a book, let it be what it may, for I had no idea of the trouble which trying to write common English could cost one—And alas there yet remains the worst part of all correcting the press.

I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.

If you ever read one of my books I hope you'll think it looks so easy. In fact, I wrote those chapters 20 times over, and over, and over, and that if you want to write at a good level, you'll have to do that too.

But how do I get to having to write a book?... It was a mother who bore me, not an inkwell!

Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.

Great books write themselves, only bad books have to be written.

I wish my prose to be transparent—I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.

Whatever I'm doing, I try to write well. I try to give the reader a nice, clean well-written surface, where the writing is transparent. It probably takes me longer to write things, but it's very important to me that the writing itself be good.

Books are really, really hard to write. They represent a kind of a summit of grappling with what one really has to say

When I'm writing, I really want to satisfy myself. I've got a story that I am working on and struggling with, and I want to tell it the most effective way I can. That's really what I struggle with. And the thought of who may be reading it may be there somewhere in the back of my mind - I'll never say it's not there because I don't know - but it's not really what I'm thinking about.

Talent alone cannot make a writer. There must be a man behind the book.

Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

It is no fun at all to have been writing a book for seven or so years, especially when you've never published anything before.

Books aren't made in the way that babies are: they are made like pyramids. There's some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it's back-breaking, sweaty, time consuming work. And all to no purpose! It just stands there in the desert! But it towers over it prodigiously. Jackals piss at the base of it, and bourgeois clamber to the top of it, etc. Continue this comparison.

The secret of all good writing is sound judgment.

It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.

Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear. If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.

The art of writing is the art of doing what you think you're doing. This is not as simple as it sounds. It implies a very difficult undertaking: the necessity to think. And it implies the requirement to think out three separate, very hard problems: What is it you want to say? How are you going to say it? Have you really said it?

The two things I enjoy the most about writing are the first page of a book and the last. What's in between is very hard work.