Michel de Montaigne Quotes

A beautiful book is a victory won in all the battlefields of human thought.

Is there no room for art in the spoken language? What is the use of creating an unnatural language to the exclusion of the natural one?

Poetry is an art practiced with the terribly plastic material of human language.

Every word was once a poem. Every new relation is a new word.

If you hold a beautiful flower in your hand, you can write a whole book about it. However, you are still just you perceiving and experiencing it from your own point of view.

Beautiful books are always written in a sort of foreign language.

But to make the intangible tangible, to pick the emotion out of the air and make it true for others, is both the blessing and the curse of the writer, for the thing between book covers is never as beautiful as the thing he imagined.

I am a great admirer of Robert Vavra and love his beautiful photographs and books. He is a wonderful artist, a poet.

To sum it all up, if you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must write dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next.

I think I have done well, if I have acquired a new word from a good author; and my business with him is to find my own, though itwere only to melt him down into an epithet or an image for daily use.

Well, the world has a million writers. One would think, then, that good thought would be as familiar as air and water, and the gifts of each new hour would exclude the last. Yet we can count all our good books; nay, I remember any beautiful verse for twenty years.

When I think of anything properly describable as a beautiful idea, it is always in the form of music. I have written and printed probably 10,000,000 words in English but all the same I shall die an inarticulate man, for my best ideas beset me in a language I know only vaguely and speak only as a child.

At present, I am a poet trying to be a soldier. To tell the truth, I am not interested in writing nowadays, except in so far as writing is the expression of something beautiful ... The only sort of book I care to write about the war is the sort people will read after the war is over - a century after it is over.

When it comes down to pure ornamental cursing, the native American is gifted above the sons of men.

The music that of common speech but slanted so that each detail sounds unexpected as a sharp inserted in a simple scale.

I do many kinds of work, and if you forbid me from binding books, from gardening, from writing poetry, from practicing walking meditation, from teaching children, I will be very unhappy. To me, work is pleasant. Pleasant or unpleaseant depends on our way of looking.

I have stolen more quotes and thoughts and purely elegant little starbursts of writing from the Book of Revelation than anything else in the English language - and it is not because I am a biblical scholar, or because of any religious faith, but because I love the wild power of the language and the purity of the madness that governs it and makes it music.

People who write books - they live in their own world as they're writing. But people who are doing shows or big movies - not only are you writing this world that you're living in, but you're also simultaneously running a circus, and you can kind of start losing your mind like that.

I feel like the actual, the most beautiful thing about a song is that it is something that goes out there in the universe and people use it in the way that they need it in their lives.

I'm not thinking in any big thematic or conceptual terms - especially in this book [Lincoln in the Bardo] when I was trying to make the voices more active, more energetic.

I certainly wasn't born with creative writing. Maybe there's a certain amount of learning and then it's up to the person. I think in the end it's your favourite books that are the best teachers. That's the way I've learned the most, by far.

The music is one of the beautiful things that has survived the Castro regime. I have played for audiences all over the world but I've never played for a Cuban audience. For [husband] Emilio and me, the music is the one tie to our homeland.

Imaginative writing has always been a solitary and indeed a somewhat antisocial activity. Apprenticeship existed, no doubt, but it was an apprenticeship to books and not to living masters of the craft.

The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

I have no perspective as regards my work. One reason I put out records and books is people respond to it, and it enables you to actually see the work more clearly. It's a form of therapy for me. Sometimes abusive therapy.