Louis Sachar Quotes

To be an artist is to doubt yourself and try harder.

I wrote two million words of crap. Maybe I'm just a slow learner .

I found my first novel difficult. I don't want to make it sound like it's any more difficult than driving a cab or going to any other job, but there are so many opportunities for self-doubt, that you just kind of need to soldier on.

At a certain point in the writing of any book, you become absolutely certain that it's terrible and is only getting more terrible with every word you write. This is normal. You just have to keep going, push your way through, and have faith that, through practice and experience and determination, you will get to the end.

I don't remember ever having writer's block. If I sit in there for four hours, I'll usually have something.

Everything that I write is sort of autobiographical, and I don't know that I'm getting better, but I'm certainly running out of time.

All one's work might have been better done; but this is a sort of reflection a worker must put aside courageously if he doesn't mean every one of his conceptions to remain forever a private vision, an evanescent reverie.

I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point. After a while I arrive at an accommodation: Well, it's not the ideal, it's not the perfect object I wanted to make, but maybe—if I go ahead and finish it anyway—I can get it right next time. Maybe I can have another chance.

What we suffer from today is humility in the wrong place...The old humility was a spur that prevented a man from stopping; not a nail in his boot that prevented him from going on. For the old humility made a man doubtful about his efforts, which made him work harder. But the new humility makes a man doubtful about his aims, which will make him stop working altogether.

An artist, a man, a failure, must proceed.

Don't lament so much about how your career is going to turn out. You don't have a career. You have a life. Do the work. Keep the faith. Be true blue. You are a writer because you write. Keep writing and quit your bitching. Your book has a birthday. You don't know what it is yet.

It didn't make you noble to step away from something that wasn't working, even if you thought you were the reason for the malfunction. Especially then. It just made you a quitter. Because if you were the problem, chances were you could also be the solution. The only way to find out was to take another shot.

I show up and try, but I may have to ask myself if I need to wait and let myself regenerate and take a break. I know that this thing that makes the stories has to be treated gently. So sometimes I'll just stop and let the well fill up. With my work, sometimes I hate doing it, but I love having done it. The key is to keep doing it.

I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.

I'm not striving for happiness, I'm trying to get some work done. And sometimes the best work is done under doubt. Constantly rethinking and re-evaluating what you're doing, working and working until it's finished.

I constantly try to reinvent my sensibilities and my ideas. I enjoy some of the satisfaction that I get when I feel good about what I've done. But the process is quite lonely and quite painful.

Sometimes writing has to be forced. In starting out, the shape and timbre and texture of what is to come is an uncertain chimera shimmering from behind a veil. You must not wait, loiter, dilly-dally. You must force your way painfully through.

In football you have an adversary; in cinema that adversary is yourself.

Finally, in my early 30s, I started writing fiction for the first time as an adult. That felt so scary, and I spent a few years feeling miserably 'behind' my high-achieving friends. But I persevered and obviously have no regrets.

A very close friend of mine keeps reminding me that since about the age of 50, I've been saying, 'I'm finished. I haven't got another one in me.' But somehow you do.

When I sit at my table to write, I never know what it's going to be until I'm under way. I trust in inspiration, which sometimes comes and sometimes doesn't. But I don't sit back waiting for it. I work every day.

People think that if you've written a book and somebody's given you a pat on the back then, you know, it's all - you're all settled, you know? You're going to be fine. I know that if I'm not confused, and really afraid, my work isn't going to be any good.

It took me 11 years to struggle through one dumb book, and every day you just want to give up. But you don't find out you're an artist because you do something really well.

I've been trying to write a book since before I was old enough to vote, and I've collected many rejection slips from publishers and magazines. I used to keep them all stuck to my refrigerator, with magnets, but an ex-girlfriend told me they were depressing, and defeatist, and suggested I take them down. A very wise suggestion on her part.

It's not very glamorous. People certainly wouldn't think so if they saw me sitting in my woolly socks at the kitchen table. Many times I sit at the typewriter and think, 'Why am I doing this?'