Mink Stole Quotes

Making 'Beloved' was an awesome experience.

My whole life's been stability. People who have worked with me have for a long time. Air Asia is the same people who started it.

It just proves that I've been here for a long time and, I guess, have done the right things over the years.

Most of the people you see me working for me are actually with me. And I'm proud to say that I've known them for 20 years almost. I've written songs with, produced songs with them a lot of times. I don't deviate form my comfort zone. I feel like when God brings people to you, it's good to keep 'em around.

Directing is a very long process, and I have to be in love with it if I want to give up two years of my life and live with it from beginning to end!

I'd have to say the whole experience in making The Neverending Story. I had an incredible time.

I work with Garry no matter what. What I wanted to keep going was the streak.

I would love to direct a feature and have Robert Connolly produce it. That would be really fab.

Working on '2001' was my film school. Stanley Kubrick was my mentor.

I keep working with fairly inexperienced directors. You know, if you have a good crew, a good cameraman, you know, I know what I'm doing. If the actors know what they're doing, we can all pull together, and it works.

You need continuity. You need a commitment and continuity.

If I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.

Working with Rajamouli and Karan is home ground for me now, having worked with them for such a long time.

To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.

We're lucky to be making films. My crew and I have been working together for a long time. I think that that's what emanates.

Any time you're making a movie, all you want to do is reduce the variables of things that could possibly go wrong. I think that's why we work with the same people over and over again.

Directing films is easier said than done. The job needs a lot of sensibility to put many things in place.

I worked with Michael Goode back in 2009. We had done a short film together where I was the actor and he was the director. We got on well and I always remember that being the one of the first acting jobs I did.

These actors who were in 'Dope' are the actors I want to continue to collaborate and make films with from here on out.

Cinema is an art form, a result of dedication of a number of people.

For the production of 'Jodi' I have joined hands with Amrinder Gill, but he would not be seen on the screen for this film.

Aamir Khan in a sense, was my first teacher for filmmaking. He used to answer my doubts on the sets of 'Joh Jeeta Wahi Sikander.'

There's so many people involved in making a film.

I think, when a manager has been at a club for more than 20 years, he can only have a positive impact.

At the end of the day, making 'Monster' was unbelievably hard, as making any movie is. And the only thing that made it worth it is not those awards and all those kind of things that I can barely remember because I was so overwhelmed. It was really that night in the editing room, that day on set. It was those things.