Jimmy Page Quotes

As soon as one of my records goes on, it makes a vast portion of the public nervous. They get spooked by it. To some people who have ears to hear, it's a delightful, refreshing change. But to most of the public, it's a load of homemade-sounding nonsense.

We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.

A whole bunch of months passed and I didn't hear anything and then he emailed and asked if I could do a little piece on POD and Queens of the Stone Age.

I see the headlines on Blabbermouth, and the fans are saying, 'Why is he always talking about Dream Theater?' I'm not talking about Dream Theater! I get asked about it.

With any band, there's two sides - there's the image, and there's the music.

I had heard all the rumors and controversy swirling about the 'In Utero' recordings - there was a lot of, 'Oh, the record label hates it,' it was going to ruin the band, that kind of stuff.

I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.

People are just really overreacting. It's just feel good music. We at Virgin are in no way promoting sex or whatever these media outlets continue to print.

You don't realize that when you're young, and you're surprised there's a lot of people at your gig - you just think it's general British-press hype.

Some people say we're (Coldplay) talented and some say we're the worst thing ever to happen to music, and it's a bit confusing being in the middle of that.

I kept hearing that metal is dead and Ozzy's dead and people that like Ozzy are dead. I have never had an empty seat. I've always sold out, so who's saying it's all over?

What was happening with me, with the album [A Period of Transition], with the people who took the pictures, the record company, everything, getting a new manager [Harvey Goldsmith]-it was all saying a period of transition to me so that was the title choice. It says what it is and obviously nobody is going to analyze that. It's exactly what it is.

I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.

I can write, boy, I can write. That's what I do. The trouble is that it's too bloody easy for people, that's why music is in the sorry state that it is. Any idiot, actors mainly, can go in there, sing a chord, bang on a machine... I'm not objecting to that but when people get at me for trying to say something in a rock 'n' roll mode it's as if I'm the freak.

I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.

A lot of people would say "well that's not a bad reputation. you sound like a pussy" and I would say yea. but I am passionate about music and being taken seriously about my music, so if you're going to mess with that, we have a problem.

It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.

I struggle to try not to read the press about my album. It was great when the first stuff came out to hear that people liked it, but at the same time at this point it's almost hard for me to read because as much as I'm uncomfortable with my voice, trust me, I'm more uncomfortable with the things I say. [laughs] To see it on a written page, it's like, "Oh my god. I told that guy I'm a hopeless romantic! What am I doing?"

However, I have a lot of greed. The types of music I want to show are on this side and on that side. Conclusively, if I'm able to make good music and people continue to look for my music, won't this kind of controversy get better... is my thought.

I think in some ways - only in some ways - but in some ways, rock and roll has let me down. It really doesn't leave you a way to grow old gracefully and continue to work.

Whenever I do my live shows, I feel artistically inspired and excited because I get to do and say a lot of things that I can't if I just make a record. A lot of times it's the only way people are going to hear my music because you don't get to have your music played on Top 40 if you're above the age of 35.

I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.

People do not like to have their favorite myths of idols challenged and as a rule I think that the public does not like bad news.

People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly.

The studio work that I do allows me to connect with people around the world. You can't perform live for everyone, so having the ability to share my creative vision with others is very important to me as well.