J. B. Priestley Quotes

For years it never occurred to me to question the judgment of those in charge at the studio.

Civilization is a conspiracy. Modern life is the silent compact of comfortable folk to keep up pretences.

We're led to believe everybody opposes it and disagrees with political correctness, but yet everybody's scared to death of it. So who is it? Well, it's the power structure wherever you happen to be.

Sometimes I think the world is divided into those who have a comfortable relationship with power and those who have a naturally adversarial relationship with power.

There's been a boiling down of real emotion into a set pattern instead of individualism.

In almost any country, probably in Russia in particular, it's fashionable to criticise people in power. If you come out in support of someone like me, you're going to be accused of trying to ingratiate yourself.

The M.F.A. is a degree in servitude. It is a way to keep writing safe - to keep reading safe from writing.

It is not to be expected of men who live for the sole purpose of enjoying official station, that they shall ever be manly, noble or independent. They slavishly cower before every storm that threatens their opinions with popular condemnation, and make haste to trim their sails to catch the passing breeze of public favor.

… she must have been very strictly brought up, she's so desperately anxious to do the wrong thing correctly.

I have great respect for the authorities.

We are in the society of the teacher-judge, the doctor-judge, the educator-judge, the 'social-worker'-judge; it is on them that the universal reign of the normative is based; and each individual, wherever he may find himself, subjects to it his body, his gestures, his behavior, his aptitudes, his achievements.

Once I had left 'Twin Peaks' and started doing other shows and other movies, I kept running into, 'No, no, we can't do it this way. This is the way it has to happen.' I'm like, 'No. I've already done it, and it worked, so I don't understand what you're saying.'

Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.

People tell you what you have to wear and do, and I've never been a fan of it.

And what is a good citizen? Simply one who never says, does or thinks anything that is unusual. Schools are maintained in order to bring this uniformity up to the highest possible point. A school is a hopper into which children are heaved while they are still young and tender; therein they are pressed into certain standard shapes and covered from head to heels with official rubber-stamps.

The inquiry in England is not whether a man has talents and genius, but whether he is passive and polite and a virtuous ass and obedient to noblemen's opinions in art and science. If he is, he is a good man. If not, he must be starved.

Culture, far from giving us freedom, only develops, as it advances, new necessities; the fetters of the physical close more tightly around us, so that the fear of loss quenches even the ardent impulse toward improvement, and the maxims of passive obedience are held to be the highest wisdom of life.

Actors are loved because they are unoriginal. Actors stick to their script. The unoriginal man is loved by the mediocrity because this kind of artistic expression is something to which the merest five-eighth can climb.

In many a poetic work, one gets here and there, instead of representation merely a title indicating that this or that was supposedto be represented here, that the artist has been prevented from doing it and most humbly asks to be kindly excused.

The society wants you to have beautiful personalities; the society wants you to have personalities which are comfortable for the society, convenient for the society. But the person is not the real thing, the individual is the real thing. The individual is not necessarily always comfortable to the society - in fact he is very inconvenient.

I wished to copy nature. I could not. But I was satisfied when I discovered the sun, for instance, could not be reproduced, but only represented by something else.

Women are objectified in our culture. And more and more, it takes a great deal of confidence, especially as a woman, to break the mold. You know, you're afraid that you're going to covered in a magazine as a "fashion don't." That's why you see all these girls on the red carpet looking the same.

Most people are shaped to the form of their culture because of the enormous malleability of their original endowment. They are plastic to the moulding force of the society into which they are born. It does not matter whether, with the Northwest Coast, it requires delusions of self-reference, or with our own civilization the amassing of possessions. In any case the great mass of individuals take quite readily the form that is presented to them.

A man is called affected, nowadays, if he dresses as he likes to dress. But in doing that he is acting in a perfectly natural manner. Affectation, in such matters, consists in dressing according to the views of one's neighbour, whose views, as they are the views of the majority, will probably be extremely stupid.

Most people's lives are a direct reflection of their peer groups.