George Saintsbury Quotes

History is not truth versus falsehoods, but a mixture of both, a mélange of tendencies, reactions, dreams, errors, and power plays. What's important is what we make of it; its moral use. By writing history, we can widen readers' thinking and deepen their sympathies in every direction. Perhaps history should show us not how to control the world, but how to enlarge, deepen, and discipline ourselves.

I love reading and I love thinking - the reason that I love my books so much is that in order to write them I have to read and to think for years at a time about the same period of time.

One must be careful not to prejudge the past.

I actually do think the history is so epic that it actually kind of writes itself.

The roots of great innovation are never just in the technology itself. They are always in the wider historical context. They require new ways of seeing. As Einstein put it, 'The significant problems we face cannot be solved at the same level of thinking we were at when we created them.'

I don't think comedians make an active decision to be a certain "persona." Comedians write the way they're going to write.

You can't learn to play the piano without playing the piano, you can't learn to write without writing, and, in many ways, you can't learn to think without thinking. Writing is thinking. To write well is to think clearly. That's why it's so hard.

When you write from your gut and let the stuff stay flawed and don't let anybody tell you to make it better, it can end up looking like nothing else.

Writing is always a way, for me, of coming to some sort of understanding that I can't reach otherwise.It forces you to think. It forces you to work the thing through. Nothing comes to us out of the blue, very easily.

To write is to think, and to write well is to think well.

I think what I love most [about writing] is that feeling that you really nailed something. Sometimes with a line you feel that it really captured what it is that you had inside you and you got it out for a stranger to read, someone who may never love you or meet you, but he or she is going to get that experience from that line.

I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.

My focus has always been on the work - that work being critical thinking and writing. I am always doing that. That's where I am, wherever I am. Critical thinking and writing as my heartbeat.

Cognitive consonance is what writing in the Age of the idiot is all about. The key to success in the scribbling profession is to strike the right balance of mediocrity in writing and thinking, which invariably entails echoing one of two party lines, poorly.

I really think that reading is just as important as writing when you're trying to be a writer because it's the only apprenticeship we have, it's the only way of learning how to write a story.

In my opinion, trying to guess what readers want is the wrong approach. You have to tell your story as best you can and as true to yourself as possible. You have to be honest and fair and vulnerable and foolish and brave, and not care what anyone thinks of it.

I don't think it is possible to give tips for finding one's voice; it's one of those things for which there aren't really any tricks or shortcuts, or even any advice that necessarily translates from writer to writer. All I can tell you is to write as much as possible.

Too often, I think, children are required to write before they have anything to say. Teach them to think and read and talk without self-repression, and they will write because they cannot help it.

I don't want to tell people what to think. I'm the least qualified person in the world for that. If I'd go around pretending to be the expert on everything, I'd become Dan Brown, and I don't understand that. We all do our research if we're good writers, and we all work hard to get it right, but that doesn't mean we're experts in the field. The best we can do is challenge people to learn the facts themselves.

One of the reasons we do history, in fact, is because it acts as a brake, a control, on our otherwise unbridled enthusiasm for our own ideas.

When I open my mouth and sing, the truth comes out. When I write, the truth comes out. I can't lie. That, I think, is one of the strongest elements of my music. When people talk about my writing as though I'm doing it from an accountant's perspective, it really pisses me off.

I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role, because, of course, it's really not me. I'm finding a new way. I don't know what it's going to be. But I know that I will need to give it to people one day.

I don't think you get to good writing unless you expose yourself and your feelings.

I think a diversity of expression can only be good, so I think the more that people write about their experience, use their imagination to deal with their experience, you know, I think that's going to be good for not only for those authors but also for people who are interested in trying to understand it.

I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.