Anthony Doerr Quotes

When we read a story, we inhabit it. The covers of the book are like a roof and four walls.

My whole art is based on escaping life and reality, which might not the best tendency to have when you're trying to be a good person in general. But people can escape into my world easily - artists are supposed to create a keyhole that people can look into.

In fact, every day I'll read a chapter of some art book. I don't know why. It's just a habit.

You may dream freely when you listen to music as well as when you look at painting. When you read a book you are the slave of the author's mind.

But then people don't read literature in order to understand; they read it because they want to re-live the feelings and sensations which they found exciting in the past. Art can be a lot of things; but in actual practice, most of it is merely the mental equivalent of alcohol and cantharides.

Art is the sex of the imagination.

The art of writing books is not yet invented. But it is at the point of being invented. Fragments of this nature are literary seeds. There may be many an infertile grain among them: nevertheless, if only some come up!

A book is actually a place, a place where we, as adults, still have the chance to engage in active imagining, translating word to image, connecting these images to memories, dreams, and larger ideas. Television, film, even the stage play, have already been imagined for us, but the book, in whatever form we choose to interact with it, forces us to complete it.

Very early in my life I took the question of the relation of art to truth seriously: even now I stand in holy dread in the face of this discordance. My first book was devoted to it. The Birth of Tragedy believes in art on the background of another belief

Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.

The first idea, the first art piece I ever did, was when I was four. I cut the seed of a pear in half and the seed of an apple in half in put those two halves together and planted the seed, hoping a very strange tree might grow. And I never stopped.

Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.

It takes intelligence and training, self-discipline and fine-sensibility, to gain renewed life through leisure occupation. America now suffers spiritual poverty, and art must become more fully American life before her leisure can become culture.

THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.

I know street art can feel increasingly like the marketing wing of an art career, so I wanted to make some art without the price tag attached. There's no gallery show or book or film. It's pointless. Which hopefully means something.

No art is sunk in the self, but rather, in art the self becomes self-forgetful in order to meet the demands of the thing seen and the thing being made.

When I was little I used to wish I could talk to the illustrators because I wanted to discuss something about the books. With so many of the other art forms that children experience, such as movies and television, they don't get to control the pace.

I've just finished reading Reality Hunger and I'm lit up by it-astonished, intoxicated, ecstatic, overwhelmed. . . . It really is an urgent book: a piece of art-making itself, a sublime, exciting, outrageous, visionary volume.

Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.

By the age of three ... I was already an addicted reader. I still crave daily immersion in experience other than my own; (it needn't be more pleasant, exciting or illuminating -- merely other) and I still fall into books as though into catalepsy.

I think that experiencing through art is a wonderful way to expand the horizon and everything around it.

I owe it all to art books, chocolate and young men.

I got a book token for Christmas and exchanged it for a book called A History of Art, and that book (which I still have-battered and falling to pieces) became more precious to me than any Bible.

We were raised to believe in books, music, and nature.

I like people who love books and movies and art and want to talk about it all the time, because that's basically what I want to talk about. Intellectuals that are funny.