Redfoo Quotes

I'm not a DJ, I don't know how to scratch and I don't know how to mix, but I do know how to party. One of my jobs is actually to travel the world and party.

My thing has always been preparation. When I was a performer on the roster as one of the guys on a weekly, full-time schedule, I was always prepared.

I've got my travelling, my packing, my after-show activities all down to a science. I used to not work out on tour; now I take a trainer with me. I do things to make sure that I can give the crowd my all, because that's what I'm all about.

Promos have always been something that I've taken very, very seriously.

Usually I work at the merch table until one minute before I have to go on stage.

I try to sleep as much as I can. I drink a lot of water. I practice consistently and just try to be ready for the gig.

As a soccer player you want to perform, whether it's in front of 72,000 or even 1,000. You always want to be your best because you never know who's watching.

I know I'm not everyone's cup of tea, and not everyone is going to approve of me being in WWE, but I guarantee every Thursday on 'Smackdown' you're going to get the most prepared and the most passionate broadcast that I'm capable of giving you.

Listen - we party, we have fun, we live life to the fullest. But we're also professional, we also wake up every day and stay on time for our meetings and we also have a structure and a certain structure and a certain substance behind the brand. It's not just luck.

If you arrive at a concert ready to play your piece, that's not nearly good enough. You must have your music ready to the point where you can play it on a short rehearsal, after a long plane flight, on a strange piano, having had an unpleasant lunch, in an unfriendly atmosphere. You have to be so over-prepared that you can cope with anything.

Every great summer party starts with a list. Throwing something together chaotically ends up being more work than taking 15 minutes to make a plan first.

When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.

I feel if I'm playing an athlete, I know I have to prepare. I need to get that body language right, I need to walk like an athlete, look like an athlete. If I'm playing a musician, I need to know how to play an instrument.

Every job, once you get there and start doing it, you approach it the same way. And it does become a serious thing, because it's not easy to do, even something silly. You still have to be professional and perform.

I think I've always tried to be very professional to how I approach the game, my preparation. Every game is important.

Know your job and don't fake it. It looks easy, but the ones that make it look easy know what the hell they're doing. They may tell you around the dining room table that you're funny and you should be an actor, but until you challenge yourself by getting on a stage or in front of a camera, that's when your knowledge of the craft separates you from the pretenders.

A balanced guest list of mixed elements is to a successful party what the seasoning is to a culinary triumph.

There must be some good in the cocktail party to account for its immense vogue among otherwise sane people.

To get fifty people to a cocktail party in New York, you ask one hundred. In Hollywood, you invite twenty.

I don't need any crutches in order to concentrate. As a child I learned that you must be ready because I'd be yelled at more than other people and it would always be my fault. I learned that to be professional is your number-one priority. The art comes second. You learn that, in order to give your best performance, you have to be a good technician, which means never allowing negative influences affect your performance.

The truly great actors, like Charlize Theron, are just like, "I'm an actor. For hire. I show up, I do my job." There's no "I'm just waiting for the inspiration." They just do their jobs. They say, "Let's go over the scene a few times and get it."

She [Susan Lucci] was extraordinary. She wouldn't look at the scene until you walked in to rehearse it. It was amazing to me. That's the impression I got anyway.

To me, it's my job not to laugh, no matter what's said. By the time we shoot, I'm ready for all that's coming. I probably do most of my breaking in rehearsals, when I know that I can.

There's nothing worse than shooting a scene you haven't rehearsed.

I do my job, and I do what I’m paid to do and I’m always prepared. I prepare by learning the text so well that when I show up, I’m relaxed and the performance sort of happens. Now whether that’s good or bad, I don’t know... Whatever I say is going to sound very egocentric and self centered anyway so I’d better shut up.