Jerry Bruckheimer Quotes

I do know that the best way to make a mediocre movie is to just transcribe the book.

Wayne Wang, the director of Because of Winn-Dixie the movie, understood the book and transferred as much of the feeling of the book onto film as humanly possible. I think he did a fabulous job. And also I'm thrilled because the movie brings people to the book - people that wouldn't know about the book - and that's a great thing.

I've got to read the 'Hunger Games' before I see the movie.

I have become so used to having people say, 'We loved your movie' instead of 'We read your book' that now I merely say, 'Thanks.'

'The Sopranos,' for instance, is arguably the best cable show of all time. They could have made a movie, but that show ended so perfectly, it would almost be a disadvantage to make a movie like that. Then again, if you made a 'Sopranos' movie, people would be lined around the block to go see it.

These properties that get made into movies, some are easier than others. When they first said, 'Yeah, they're making a movie out of Lego,' I said, 'Lego what? What does that even mean?' And it's such a good concept.

Ultimately, only audiences decide what's a franchise.

They're still working on the script - they've got to get that nailed down and they want the first movie to come out obviously, not get too ahead of themselves. But yeah, it's looking good. I love the second book a lot as well, so kind of diving into that is awesome.

One of my favorite authors, Garbrielle Zevin, she did a book called 'Elsewhere,' that is one of my favorites, and I think they're making that into a movie too. I really want to be in that one just because the story is so beautiful.

The woeful tales of 'Super Mario Bros.' and 'Street Fighter' have taught studios that merely slapping a name to a movie is not enough to bring in the fans of the franchise. Also, the way games now unfold their stories more parallels that of a movie, with characters and plot points actually meaning as much as a high score.

Particularly when you're making a movie of a book, people are always waiting with their knives - you know?

By the usual reckoning, the worst books make the best films.

While I wouldn't say that I'm going to do another Disney TV show, I would like to do another comedy or something musical. But I like doing the dark independent stuff as well.

The script for 'Trainspotting' was amazing, and it was different from the book.

We made 'Housefull 4' because 1, 2 and 3 were loved by the audience.

Success of a film has got nothing to do with whether it's a remake or an original.

Depending on how 'Doctor Sleep' does, we'll see what movie opportunities there will be.

You tell me, why would I make 'Housefull 4' if I had any doubts about the popularity of the series? In fact, the collections are better than the earlier films in the series.

You don't take a reality show and make it a movie. At least I wouldn't.

I just did 101 shows in 86 different cities in America and Europe and Canada, and I'm not lying or exaggerating when I say, at the vast majority of shows, they loved it. There were encores, there were standing ovations.

As far as books getting turned into movies, I fared very, very well.

There is a young fella who works for me, named Brian Unkeless, who's very smart. We're a very small company that has been Brian and me and two assistants, although we're growing a little bit now. He read the [The Hunger Games] book and loved it, and told me I should read it. He had been a fan of the Gregor books. So, I read it and couldn't put it down and couldn't stop thinking about it. I really became obsessed with the thought of producing it, and was completely bothered by the idea that anybody but me could produce it.

Graphic novels and comic books offer an easy foothold into that world, and screenwriters and studio execs gravitate toward those, because I think they can see it all right there. It's like, "Here's what the movie looks like."

I wasn't actually going to see the original film [Lord of the Ring], because I didn't think it was possible that a film could represent the books appropriately. So I was protesting, and I wasn't going to see them. And then my family all took a jaunt together, the entire family, to see the movies, and were like, "What, you're just going to stay home?" So I saw the movies and was thoroughly impressed that Peter Jackson managed to make my vision of the book come to life, as well as my sister's and my father's, and my aunt's and my uncle's, everyone's.

I was lucky enough to know Maurice Sendak, and talked to him about doing the movie. For a while, I was really apprehensive of it, because Where The Wild Things Are is a book I love so much, and I didn't want to add something to it just to be able to make a movie, or put my stamp on it, or something like that.