Laura Vandervoort Quotes

It was hard doing scenes with Bobby Cannavale because I would break up laughing because he's so funny.

When I'm on a picture, I have two bosses - the director and the producer. My co-star is not my boss.

Working opposite Max Greenfield is the best job in the world. He's just incredible.

The last time I was on a small set would've been probably My Left Foot.

I play opposite Beverly D'Angelo, and that was definitely a great time.

It's always a great day going to work with Ginnifer Goodwin; she's a fantastic actress and I learn so much from her.

I try to create an environment where, when we step onto the set, we're all in character.

When I was a kid, it was a little bit exciting working with Peter Weir and Robin Williams, but that faded pretty quickly for me.

If you were to come to the set of Alias, you'd know how silly we all are. And I mean, silly.

People don't realise what a nice thing it is for an actor to go to a job where they know or like everybody, because you're so often having to do new beginnings, starting off on set with people you don't know, having to introduce yourself and make friends.

When I was shooting 'Mud,' every day was my favourite! I had so much fun on this film and loved working with all the cast and crew! It was a great experience.

I loved doing My Favorite Year, which was great fun, and The Ruling Class, which I made with all my chums.

I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.

I love improv. I do it with my co-star John Michael Higgins in both 'Pitch Perfect' films.

All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.

Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.

Mel Gibson was lovely. He was on the edge of both scenes that I had with Danny Glover.

Working with Ricky Gervais one week, Rutger Hauer another week, John Stamos, was fantastic.

Will and Tommy Lee are the only actors I've ever worked with where neither of them want to say any lines.

But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.

When you're on set with an actor like Derek Jacobi, it's not hard to tell the truth when you're looking in his eyes, and he's so open and creative and ready to play.

There are many, many, actors with whom I'd like to share a stage or a set.

I think our first scene was us arguing, and nobody wants to argue with Angela Bassett, but the thing about it was that all of the nerves I had going into it were immediately kind of quelled as soon as I got to the set. Becasue she's not Angela Bassett, she's just Angela Bassett.

Surviving the elements is working, but being on set and having to do a scene and being in a room with the same people who you actually enjoy and respect, your day project was easy.

I laugh a lot, especially between shots, and it's tough for me to control. There have been so many instances where my director had to request me to stop laughing and come into the mood of the scene.