PSY Quotes

I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.

I'm heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with 'Glee' and then practice with LXD till about midnight.

It's so nerve-wracking to be on a set. They're the most stressful place in the world, because you're making something permanent, and there are so many people relying on you in a lot of ways.

When you're shooting, there's terrible pressure, and you never switch off. Every day is like the day before an exam; it's relentless.

Oftentimes, I feel like the clock is on, and there's money at stake, and you gotta get up there and dance for grandma, and it better be great, and you better get it right.

Being the heavy favorite is not always a good thing because of the amount of pressure on an athlete.

I feel pressure every day. It is only pressure that I put on myself, but I would expect all professional sportspeople to feel pressure to perform their best whenever they are at work.

There's no damn business like show business - you have to smile to keep from throwing up.

There's a pressure regardless of that to do a good show.

When I began to choreograph and find my way pulling other artists' dreams out and changing music in a visual way, there was still a part of me that had something more to say. There was still a desire to rock a stage and ultimately perform the eight count of my dream, but there was a lot of insecurity there.

In Chicago, I walked in knowing what the dancers were going to need.

Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.

There's just such a premium on hurrying, and the camera is the be all and end all, and the actors had better hurry up and get it right and get it done.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

There's always very high tension with dance auditions! You're in a group, watching the people in the front of the room, hoping you'll get something, anything that will relieve a bit of the stress.

I think there's a certain amount of pressure depending on how demanding the part is, depending on how great the material is. I feel a certain amount of pressure to rise to the occasion.

I put a lot of pressure on myself. I tell my wife when she's listening to my songs that the slightest hint of whether she likes it or not puts the pressure on me.

Growing up, I was a dancer. I wanted to be a choreographer.

Did people care about how a singer sounded live back in the day? I don't really feel like they did. Not everything was being filmed. Today, one huge mess-up, and millions are seeing it. There's a lot more on the line nowadays. We're so cautious and scared of messing up. It adds a lot of stress to a career.

TV is really, really, really hard work. You sacrifice a lot of your personal life, a lot of your sanity, just to do one show.

When you are in the second position and you want to be champions, you are always under pressure.

When you start to have success, people look at you differently and expect more from you. With that comes a lot of pressure to perform, so it can be a little overwhelming.

At the beginning of the first season, you don't have that pressure to perform at 100 per cent, because it's always hard when you first start. But now, in the second season, people are expecting big things from you, so you can't really disappoint them.

To relax in the Premier League is not good.

It is hard to enjoy life in a national team.